Anne Frank kept a diary from 12 June 1942 to 1 August 1944. Initially, she wrote it strictly for herself, but one day in 1944, Gerrit Bolkestein, a member of the Dutch government in exile, announced in a radio broadcast from London that after the war he hoped to collect eyewitness accounts of the suffering of the Dutch people under the German occupation, which could be made available to the public. As an example, he specifically mentioned letters and diaries. Anne Frank decided that when the war was over she would publish a book based on her diary.

"Wise, witty, and wonderful . . . A great book, in a great historical tradition." CommentaryThe 14th century gives us back two contradictory images: a glittering time of crusades and castles, cathedrals and chivalry, and a dark time of ferocity and spiritual agony, a world plunged into a chaos of war, fear and the Plague. Barbara Tuchman anatomizes the century, revealing both the great rhythms of history and the grain and texture of domestic life as it was lived.

This 1911 work, by one of the best-known newspapermen and writers of the day, is a lyrical and engrossing account of the peoples and places of the northern reaches of the Sceptered Isle, from its Celtic and Pictish tribal origins, through the Roman occupation, and to the Jacobite uprising of the 18th century. With a sly, dry wit that will enthrall today's readers, author Andrew Lang delves into the decadence and corruption of the medieval kings and brings to thrilling life the intrigues and conspiracies that have shaped the true history of a much-fabled nation. AUTHOR BIO: Scottish journalist and author ANDREW LANG (1844-1912), the son of the sheriff-clerk of rural Selkirkshire, was educated at Edinburgh Academy, the Univerisites of St. Andrews and Glasgow, and Balliol College, Oxford. A contemporary and friend of Robert Louis Stevenson, he produced a stunning variety and number of volumes, including books of poetry, novels, children's books, histories, and biographies, as well as criticism, essays, scholarly works of anthropology, and translations of classical literature.

Situated at the intersection of Europe, Asia, and Africa, the Mediterranean Sea has been for millenia the place where religions, economies, and political systems met, clashed, influenced and absorbed one another. David Abulafia offers a fresh perspective by focusing on the sea itself: its practical importance for transport and sustenance; its dynamic role in the rise and fall of empires; and the remarkable cast of characters--sailors, merchants, migrants, pirates, pilgrims--who have crossed and recrossed it. Ranging from prehistory to the 21st century, The Great Sea is above all the history of human interaction across a region that has brought together many of the great civilizations of antiquity as well as the rival empires of medieval and modern times. Interweaving major political and naval developments with the ebb and flow of trade, Abulafia explores how commercial competition in the Mediterranean created both rivalries and partnerships, with merchants acting as intermediaries between cultures, trading goods that were as exotic on one side of the sea as they were commonplace on the other. He stresses the remarkable ability of Mediterranean cultures to uphold the civilizing ideal of convivencia, "living together," exemplified in medieval Spain, where Christian theologians studied Arabic texts with the help of Jewish and Muslim scholars, and traceable throughout the history of the region. Brilliantly written and sweeping in its scope, The Great Sea is itself as varied and inclusive as the region it describes, covering everything from the Trojan War, the history of piracy, and the great naval battles between Carthage and Rome to the Jewish Diaspora into Hellenistic worlds, the rise of Islam, the Grand Tours of the 19th century, and mass tourism of the 20th. It is, in short, a magnum opus, the definitive account of perhaps the most vibrant theater of human interaction in history.

In the aftermath of World War II, Prussia--a centuries-old state pivotal to Europe's development--ceased to exist. In their eagerness to erase all traces of the Third Reich from the earth, the Allies believed that Prussia, the very embodiment of German militarism, had to be abolished. But as Christopher Clark reveals in this pioneering history, Prussia's legacy is far more complex. Though now a fading memory in Europe's heartland, the true story of Prussia offers a remarkable glimpse into the dynamic rise of modern Europe. What we find is a kingdom that existed nearly half a millennium ago as a patchwork of territorial fragments, with neither significant resources nor a coherent culture. With its capital in Berlin, Prussia grew from being a small, poor, disregarded medieval state into one of the most vigorous and powerful nations in Europe. Iron Kingdom traces Prussia's involvement in the continent's foundational religious and political conflagrations: from the devastations of the Thirty Years War through centuries of political machinations to the dissolution of the Holy Roman Empire, from the enlightenment of Frederick the Great to the destructive conquests of Napoleon, and from the "iron and blood" policies of Bismarck to the creation of the German Empire in 1871, and all that implied for the tumultuous twentieth century. By 1947, Prussia was deemed an intolerable threat to the safety of Europe; what is often forgotten, Clark argues, is that it had also been an exemplar of the European humanistic tradition, boasting a formidable government administration, an incorruptible civil service, and religious tolerance. Clark demonstrates how a state deemed the bane of twentieth-century Europe has played an incalculable role in Western civilization's fortunes. Iron Kingdom is a definitive, gripping account of Prussia's fascinating, influential, and critical role in modern times. (20060812)

Medieval People is an account of the lives of six individuals who lived during the Middle Ages: a Frankish peasant; Marco Polo, the Venetian traveler; Madame Eglentyne, prioress of Chaucer's Cantervury Tales; a middle-class Parisian housewife; two English merchants, one engaged in the wool trade and the other in Essex clothier. The author has illustrated various aspects of social life of the era by drawing on such sources as account books, diaries, letters, records, and wills. A previously unpublished essay by Eileen Power has been added to the present edition. Entitled "The Precursors," it describes the barbarian conquest of Rome.

An evocative account of fourteen European kingdoms-their rise, maturity, and eventual disappearance. There is something profoundly romantic about lost civilizations. Europe's past is littered with states and kingdoms, large and small, that are scarcely remembered today, and while their names may be unfamiliar-Aragon, Etruria, the Kingdom of the Two Burgundies-their stories should change our mental map of the past. We come across forgotten characters and famous ones-King Arthur and Macbeth, Napoleon and Queen Victoria, right up to Stalin and Gorbachev-and discover how faulty memory can be, and how much we can glean from these lost empires. Davies peers through the cracks in the mainstream accounts of modern-day states to dazzle us with extraordinary stories of barely remembered pasts, and of the traces they left behind.This is Norman Davies at his best: sweeping narrative history packed with unexpected insights. Vanished Kingdoms will appeal to all fans of unconventional and thought-provoking history, from readers of Niall Ferguson to Jared Diamond.

From Robert Hughes, one of the greatest art and cultural critics of our time, comes a sprawling, comprehensive, and deeply personal history of Rome—as city, as empire, and, crucially, as an origin of Western art and civilization, two subjects about which Hughes has spent his life writing and thinking.Starting on a personal note, Hughes takes us to the Rome he first encountered as a hungry twenty-one-year-old fresh from Australia in 1959. From that exhilarating portrait, he takes us back more than two thousand years to the city's foundation, one mired in mythologies and superstitions that would inform Rome's development for centuries.From the beginning, Rome was a hotbed of power, overweening ambition, desire, political genius, and corruption. Hughes details the turbulent years that saw the formation of empire and the establishment of the sociopolitical system, along the way providing colorful portraits of all the major figures, both political (Julius Caesar, Marcus Aurelius, Nero, Caligula) and cultural (Cicero, Martial, Virgil), to name just a few. For almost a thousand years, Rome would remain the most politically important, richest, and largest city in the Western world.From the formation of empire, Hughes moves on to the rise of early Christianity, his own antipathy toward religion providing rich and lively context for the brutality of the early Church, and eventually the Crusades. The brutality had the desired effect—the Church consolidated and outlasted the power of empire, and Rome would be the capital of the Papal States until its annexation into the newly united kingdom of Italy in 1870.As one would expect, Hughes lavishes plenty of critical attention on the Renaissance, providing a full survey of the architecture, painting, and sculpture that blossomed in Rome over the course of the fourteenth through the sixteenth centuries, and shedding new light on old masters in the process. Having established itself as the artistic and spiritual center of the world, Rome in the seventeenth, eighteenth, and nineteenth centuries saw artists (and, eventually, wealthy tourists) from all over Europe converging on the bustling city, even while it was caught up in the nationalistic turmoils of the Italian independence struggle and war against France.Hughes keeps the momentum going right into the twentieth century, when Rome witnessed the rise and fall of Italian Fascism and Mussolini, and took on yet another identity in the postwar years as the fashionable city of "La Dolce Vita." This is the Rome Hughes himself first encountered, and it's one he contends, perhaps controversially, has been lost in the half century since, as the cult of mass tourism has slowly ruined the dazzling city he loved so much. Equal parts idolizing, blasphemous, outraged, and awestruck, Rome is a portrait of the Eternal City as only Robert Hughes could paint it.

Winston Churchill's six-volume history of the cataclysm that swept the world remains the definitive history of the Second World War. Lucid, dramatic, remarkable both for its breadth and sweep and for its sense of personal involvement, it is universally acknowledged as a magnificent reconstruction and is an enduring, compelling work that led to his being awarded the Nobel Prize for literature. The Grand Alliance recounts the momentous events of 1941 surrounding America's entry into the War and Hitler's march on Russia the continuing onslaught on British civilians during the Blitz, Japan's attack on Pearl Harbor and the alliance between Britain and America that shaped the outcome of the War.