In Paradise Lost, Milton produced a poem of epic scale, conjuring up a vast, awe-inspiring cosmos and ranging across huge tracts of space and time. And yet, in putting a charismatic Satan and naked Adam and Eve at the centre of this story, he also created an intensely human tragedy on the Fall of Man. Written when Milton was in his fifties - blind, bitterly disappointed by the Restoration and briefly in danger of execution—Paradise Lost has an apparent ambivalence towards authority which has led to intense debate about whether it manages to "justify the ways of God to men", or exposes the cruelty of Christianity. @MorningStarlet Dressed as a snake. She’s going for it . . . Yes! She ate the forbidden apple! Guess God wasn’t paying attention. Omniscient, hah From Twitterature: The World's Greatest Books in Twenty Tweets or Less

Adapted for a cast of as few as ten or as many as thirty.

A Portrait of the Artist as a Young Man is a semi-autobiographical novel and best selling masterpiece by James Joyce. It depicts the formative years in the life of Stephen Dedalus, a fictional alter ego of Joyce and a pointed allusion to the consummate craftsman of Greek mythology, Daedalus.

Robert Louis Stevenson always considered Kidnapped, the tale of 17-year-old David Balfour's adventures in the remote islands and highlands of Scotland with renegade soldier Alan Breck Stewart, to be his greatest novel, but when the classic adventure tale was published in 1886, it was without much of what its author held dear. His English publisher had excised many of the Scottish words and phrases he had used to evoke the suspense of the novel. From simple misreadings to deliberate revisions, subsequent printed editions represented major departures from Stevenson's handwritten text.Drawing on the unique autograph manuscript in the Huntington Library, Professor Barry Menikoff has faithfully reproduced the text as Stevenson originally wrote it, restoring the author's language and punctuation, as well as the authentic Scots quality of his diction.This handsome new edition of a novel, whose avowed purpose was the recovery of an important part of Scots history, reproduces for the first time the original drawings that accompanied the text during its serialization in Young Folks. Menikoff's substantial introduction situates the book in its cultural context and enables us to see why Stevenson's contemporaries were both entranced and awed by his achievement. In his extensive notes to the novel, he reveals Stevenson's enormous prestige as an authority on language, both English and Scots, for Kidnapped was widely drawn upon as a reference by lexicographers for the Oxford English Dictionary and the Scottish National Dictionary. Finally, for a tale that charts the "wanderings" of David Balfour over the land and seas of Scotland, this edition is the first to provide a gazetteer of place-names encountered during the course of those travels.

I, WHO erewhile the happy Garden sung By one man's disobedience lost, now sing Recovered Paradise to all mankind, By one man's firm obedience fully tried Through all temptation, and the Tempter foiled In all his wiles, defeated and repulsed, And Eden raised in the waste Wilderness. Thou Spirit, who led'st this glorious Eremite Into the desert, his victorious field Against the spiritual foe, and brought'st him thence By proof the undoubted Son of God, inspire, As thou art wont, my prompted song, else mute, And bear through highth or depth of Nature's bounds, With prosperous wing full summed, to tell of deeds Above heroic, though in secret done, And unrecorded left through many an age: Worthy to have not remained so long unsung

John Bunyan (1628-1688) was a Christian writer and preacher. He was born at Harrowden, in the Parish of Elstow, England. He wrote The Pilgrim's Progress (1678- 1684), arguably the most famous published Christian allegory. In the Church of England he is remembered with a Lesser Festival on 30 August. Bunyan had very little schooling (about 2-4 years). He followed his father in the Tarish Tinker's trade, and he served in the parliamentary army at Newport Pagnell (1644-1647). In 1655, Bunyan became a deacon and began preaching, with marked success from the start. He also became a popular preacher as well as a prolific author, though most of his works consist of expanded sermons. He was no scholar, except of the English Bible, but he knew scripture thoroughly. In his autobiographical book, Grace Abounding (1666), Bunyan describes himself as having led an abandoned life in his youth, and as having been morally reprehensible as a result. However, there appears to be no evidence that he was outwardly worse than the average of his neighbours.

In this classic work, Paul Fussell illuminates the British experience on the Western Front from 1914 to 1918, focusing primarily on the literary means by which The Great War has been remembered, conventionalized, and mythologized. Drawing on the work of important wartime poets such as David Jones and Wilfred Owen, on the memoirs of Siegfried Sassoon, Robert Graves, and Edmund Blunden, and on numerous other personal records housed in the Imperial War Museum, this award-winning volume provides an intimate and intensely poetic account of the event that revolutionized the way we see the world. It has been hailed as "humanly wise and compassionate" (Saturday Review), "original and brilliant" (Lionel Trilling), "bright and sensitive" (The New Yorker), and "probing, sympathetic, and illuminating" (The New Republic). It is an undisputed classic of cultural criticism.

Mary Smith and her friends live in Cranford, a town predominantly inhabited by women. The return of a long-lost brother named Peter is the most dramatic event to occur over the course of the sixteen tales that comprise the novel. Elizabeth Gaskell s Cranford is an ironic portrayal of female life in a secluded English village.

This play is based on the Greek myth of Pygmalion. It tells the story of Henry Higgins, a professor of phonetics (based on phonetician Henry Sweet), who makes a bet with his friend Colonel Pickering that he can successfully pass off a Cockney flower girl, Eliza Doolittle, as a refined society lady by teaching her how to speak with an upper class accent and training her in etiquette. In the process, Higgins and Doolittle grow close, but she ultimately rejects his domineering ways and declares she will marry Freddy Eynsford-Hill - a young, poor, gentleman.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.