In this grand and astonishing tale, Alec Wilkinson brings us the story of S. A. Andrée, the visionary Swedish aeronaut who, in 1897, during the great age of Arctic endeavor, left to discover the North Pole by flying to it in a hydrogen balloon. Called by a British military officer “the most original and remarkable attempt ever made in Arctic exploration,” Andrée’s expedition was followed by nearly the entire world, and it made him an international legend.   The Ice Balloon begins in the late nineteenth century, when nations, compelled by vanity, commerce, and science, competed with one another for the greatest discoveries, and newspapers covered every journey. Wilkinson describes how in Andrée several contemporary themes intersected. He was the first modern explorer—the first to depart for the Arctic unencumbered by notions of the Romantic age, and the first to be equipped with the newest technologies. No explorer had ever left with more uncertainty regarding his fate, since none had ever flown over the horizon and into the forbidding region of ice.   In addition to portraying the period, The Ice Balloon gives us a brief history of the exploration of the northern polar regions, both myth and fact, including detailed versions of the two record-setting expeditions just prior to Andrée’s—one led by U.S. Army lieutenant Adolphus Greely from Ellesmere Island; the other by Fridtjof Nansen, the Norwegian explorer who initially sought to reach the pole by embedding his ship in the pack ice and drifting toward it with the current.   Woven throughout is Andrée’s own history, and how he came by his brave and singular idea. We also get to know Andrée’s family, the woman who loves him, and the two men who accompany him—Nils Strindberg, a cousin of the famous playwright, with a tender love affair of his own, and Knut Fraenkel, a willing and hearty young man.   Andrée’s flight and the journey, based on the expedition’s diaries and photographs, dramatically recovered thirty-three years after the balloon came down, along with Wilkinson’s research, provide a book filled with suspense and adventure, a haunting story of high ambition and courage, made tangible with the detail, beauty, and devastating conditions of traveling and dwelling in “the realm of Death,” as one Arctic explorer put it.

The president and CEO of Scandinavia Airlines (SAS) shows how to adapt to the new customer–driven economy.

Novelist, satirist, poet, photographer, painter, alchemist, and hellraiser—August Strindberg was all these, and yet he is principally known, in Arthur Miller's words, as "the mad inventor of modern theater" who led playwriting out of the polite drawing room into the snakepit of psychological warfare. This biography, supported by extensive new research, describes the eventful and complicated life of one of the great literary figures in world literature. Sue Prideaux organizes Strindberg's story into a gripping and highly readable narrative that both illuminates his work and restores humor and humanity to a man often shrugged off as too difficult.Best known for his play Miss Julie, Strindberg wrote sixty other plays, three books of poetry, eighteen novels, and nine autobiographies. Even more than most, Strindberg is a writer whose life sheds invaluable light on his work. Prideaux explores Strindberg's many art-life connections, revealing for the first time the originals who inspired the characters of Miss Julie and her servant Jean, the bizarre circumstances in which the play was written, and the real suicide that inspired the shattering ending of the play. Recounting the playwright's journey through the "real" world as well as the world of belief and ideas, Prideaux marks the centenary of Strindberg's death in 1912 with a biography worthy of the man who laid the foundation for Western drama through the twentieth century and even into the twenty-first.

The golden age of tennis came crashing down suddenly at the 1981 U.S. Open. Bjorn Borg, the stoical Swede who had become the richest and most famous player in the sport's history, had just lost to his brash young rival, John McEnroe, in the final at Flushing Meadows. After his last shot floated out, Borg walked to the net, shook McEnroe's hand in silence, and disappeared from the game he had dominated for the last decade. No one realized it at the time, but the era that Borg and the three other semifinalists at that year's Open—McEnroe, Jimmy Connors, and Vitas Gerulaitis—had helped define had also ended. For nearly a century, the lawns of tennis had been reserved for wealthy amateurs—gentlemen, in the original British parlance—but in 1968, the game was opened to professionals and was forever changed. The 1970s were boom years for tennis. Thanks to charismatic young players and dramatic matches, participation skyrocketed in the United States and brought the game to a new peak of global popularity. In the ensuing decade, the sport would be taken further from its genteel roots than anyone thought possible. Through the lens of that era's final tournament, the 1981 U.S. Open, High Strung chronicles the lives and careers of the men who made those Wild West days of tennis so memorable. The Swede known as "Ice Borg," who secretly harbored an inner madman. McEnroe, the tortured, bratty genius who was destined to slay his idol. Connors, the blue-collar kid who tore the cover off the ball—and the game itself—becoming a beloved antihero. Ilie Nastase, the Romanian clown who tested the outer limits of acceptable behavior and taste. Gerulaitis, the New York charmer and Studio 54 regular who was friend to them all. And Ivan Lendl, the robotic Czech who became a harbinger of tennis's high-powered future. The struggles these men shared were as compelling off the court as they were on. Some thrived, some survived, some were destroyed, but none has ever been forgotten.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Swedish Interiors Rhonda Eleish and Edie van Breems Swedish Interiors is the first book to share the history, progression, and key elements of Swedish style and how to use it in many different styles of homes. From the white- and blue-hued images of the familiar Gustavian style to the gold accents and luxurious patterns found in the Swedish Baroque, Rococo, and Biedermeier periods, the secret to Swedish design is in having the confidence to mix old and new while maintaining a clean and simple aesthetic. Emphasizes light, comfort and elegance. Is found throughout the world, proving its wide appeal and the ease with which it blends with other design styles. The authors operate Eleish Van Breems Antiques, a renowned Swedish antiques and decorating resource. Featured on Martha Stewart Living, and in Country Living, House Beautiful, Travel&Leisure, the New York Times, Traditional Home, Better Homes and Gardens, Victoria, and Yankee. Regional author tour.

A bestseller in a dozen languages and a favorite of readers for decades, The Story of San Michele is one of a remarkable life filled with fabulous experiences and ambitions. Axel Munthe was a fashionable physician in Paris who built one of the best-loved houses in the world, San Michele, on the Isle of Capri, on the site of the villa of the emperor Tiberius. Written with intelligence and verve, this autobiography tells tales of buried treasure in Italy, legendary creatures in Lapland, and the cold countesses and kindly whores of Naples—enough material, as one critic put it, "to furnish writers of short stories with plots for the rest of their lives." "A frank and absorbing autobiography…packed with good stories, vivid scenes, and memorable portraits." -- The Times [London] "Written in an imaginative style that is vigorous and impressive." -- New York Times

Sweden’s place in film history is secure and prominent. Swedish films are associated internationally with Ingmar Bergman’s successful and high quality works. However, another breed of Swedish film is notorious for its laissez-faire attitude towards nudity, relaxed sexuality, drugs, and shocking violence. Produced in the backyard of the Swedish film industry, these sexually daring films join countless sensational Swedish movies dealing with shocking or taboo subjects—street punks, space aliens, hard drugs, and drunken vikings. Other efforts are simply too strange and Swedish to ignore. Once again, Swedish Death Metal author Daniel Ekeroth delves into the arcane culture of his homeland, returning with the first comprehensive overview of “Sensationsfilms”—Swedish Exploitation Cinema.