The Forest People -- Colin M. Turnbull's best-selling, classic work -- describes the author's experiences while living with the BaMbuti Pygmies, not as a clinical observer, but as their friend learning their customs and sharing their daily life. Turnbull conveys the lives and feelings of the BaMbuti whose existence centers on their intense love for their forest world, which, in return for their affection and trust, provides their every need. We witness their hunting parties and nomadic camps; their love affairs and ancient ceremonies -- the molimo, in which they praise the forest as provider, protector, and deity; the elima, in which the young girls come of age; and the nkumbi circumcision rites, in which the villagers of the surrounding non-Pygmy tribes attempt to impose their culture on the Pygmies, whose forest home they dare not enter. The Forest People eloquently shows us a people who have found in the forest something that makes their life more than just living -- a life that, with all its hardships and problems and tragedies, is a wonderful thing of happiness and joy.

A story of grim comedy amid the apocalypse and a celebration of the sheer indestructibility of the human spirit in a nation run riot: Michela Wrong's vision of Congo/Zaire during the Mobutu years is incisive, ironic and revelatory. Mr Kurtz, the colonial white master, brought evil to the remote upper reaches of the Congo River. A century after Conrad's 'Heart of Darkness' was first published, Michela Wrong revisits the Congo during the turbulent era of Mobutu Sese Seko. From the heart of Africa comes grotesque confusion: pink-lipsticked rebel soldiers mingle with track-suited secret policemen in hotels where fin de siecle dinner parties are ploughing through vintage wines rather than leave them to the new regime. Congo, the African country richest in natural resources, has institutionalised kleptomania. Everyone is on the take. Someone has even swiped one of the uranium rods from the country's only nuclear reactor. Having presided over unprecedented looting of the country's wealth, Mobutu, like Kurtz, retreated deep within the jungle to his palace of marble floors and gold taps. A hundred years on and nothing has changed.

Insider's account of European mercenaries, locals and UN forces in Zaire's breakaway Katanga province in 1961.

Lit with humor, full of African birdsong and told with great narrative force, No Mercy is the magnum opus of "probably the finest writer of travel books in the English language,"  as Bill Bryson wrote in Outside, "and certainly the most daring."  Redmond O'Hanlon has journeyed among headhunters in deepest Borneo with the poet James Fenton, and amid the most reticent, imperilled and violent tribe in the Amazon Basin with a night-club manager. This, however, is his boldest journey yet. Accompanied by Lary Shaffer--an American friend and animal behaviorist, a man of imperfect health and brave decency--he enters the unmapped swamp-forests of the People's Republic of the Congo, in search of a dinosaur rumored to have survived in a remote prehistoric lake.The flora and fauna of the Congo are unrivalled, and with matchless passion O'Hanlon describes scores of rare and fascinating animals: eagles and parrots, gorillas and chimpanzees, swamp antelope and forest elephants. But as he was repeatedly warned, the night belongs to Africa, and threats both natural (cobras, crocodiles, lethal insects) and supernatural (from all-powerful sorcerers to Samalé, a beast whose three-clawed hands rip you across the back) make this a saga of much fear and trembling. Omnipresent too are ecological depredations, political and tribal brutality, terrible illness and unnecessary suffering among the forest pygmies, and an appalling waste of human life throughout this little-explored region. An elegant, disturbing and deeply compassionate evocation of a vanishing world, extraordinary in its depth, scope and range of characters, No Mercy is destined to become a landmark work of travel, adventure and natural history. A quest for the meaning of magic and the purpose of religion, and a celebration of the comforts and mysteries of science, it is also--and above all--a powerful guide to the humanity that prevails even in the very heart of darkness.From the Hardcover edition.

Less than a century ago, a human being was put on display in New York's Bronx Zoo. This is the astonishing and appalling story of Ota Benga's odyssey in savage turn-of-the-century America. A fascinating glimpse at the financial greed, religious arrogance, and racism of America's past. Photo insert.

The photographs in The Last Place on Earth are the best wildlife images in the world today. The groundbreaking photography in Volume I presents wildlife as if the viewer is on the scene and closeup. This is accomplished with gadgetry developed at National Geographic under the guidance of Michael Nichols. The new technology allows Nichols to set aside the usual telephoto lenses that magnify and flatten subjects, freeing him to use more normal lenses with special lighting. The resulting pictures come the closest to bridging the gap between wildlife and humanity than any photographs have ever done. Pictures cover the rough and amazing beauty of central Africa's wildlife and terrain-many images have never been seen-for example, surfing hippos and sun-bathing buffalo. Volume II highlights a facsimile of Mike Fay's original journal. It is real-life drama at its very best. Nichols' stunning black and white images of the arduous journey illustrate Fay's detailed entries. Together the set constructs a portrait of central African forests before "their greatness succumbs to the inexorable nibble of humanity." Threats by armed-poachers, disease, and despair are offset by moments of utter astonishment: Fay befriends a gorilla, Ebobo, whom he first met seven years before. At one point along the trip the gorilla was seen waiting for Fay to catch up. As a result of Nichols' and Fay's work, the government of Gabon created 13 national parks protecting 11,294 square miles.

As this book shows, the People of the Congo have suffered throughout the past century from a particularly brutal experience of colonial rule, and a series of post-independence political conflicts. But as this insightful political history of the Congolese democratic movement of the 20th century decisively makes clear, its people have not taken these multiple oppressions lying down. Instead, they have struggled both to establish democratic institutions at home and to free themselves from exploitations abroad.

The Democratic Republic of Congo, formerly Zaire, continues to struggle with socioeconomic and political development. Culture and Customs of the Congo provides the full context of traditional culture and modern practices against a backdrop of a turbulent history. The volume opens up a land and peoples little known in the United States. Written expressly to meet the needs of students and the general audience, the work will inform about the geography, economy, political history, and history from the slave trade to dictatorship; ancestral religions and inroads of western faiths; ancestral literary heritage and communication; art, architecture, and housing; diet and dress; marriage, family, and women; lifestyles and life events, and traditional and modern music and dance.Congolese society comprises hundreds of ethnic groups, such as the Luba, the Kongo, and the Kuba. The countryside is largely based on the hunting and gathering, herding, and farming lifestyles. The city is marked by lifestyles reflecting the prevalence of small business activities and increasing cultural sycretism of customs from different parts of the Congo and Western imports. Mukenge's narrative gives the diverse perspectives of their cultures with their fascinating juxtapositions to our familiar western ways. Examples of this are found in the Religion and Worldview chapter, which discusses ancestral religions, the spirits of the land, and supernatural power practitioners. The Literature chapter covers verbal competition and game songs. Congolese cuisine is based on starches such as the cassava root, the corn, and the plantain; green vegetables, insects, fish and, to a lesser extent, meat. Other chapters cover topics from the distinct Congolese dress and symbolic adornments, all-important family lines, to ceremonial music and dance. A chronology and glossary are added value.

Since 1983 journalist Bill Berkeley has traveled through Africa's most troubled lands-Rwanda, Liberia, South Africa, Sudan, Uganda, and Zaire-seeking out the tyrants and military leaders who orchestrate seemingly intractable wars. Shattering the myth that ancient tribal hatred lies at the heart of the continent's troubles, Berkeley instead holds accountable the "Big Men" who came to power during this period, describing the very rational methods behind their apparent madness. A New Republic Book