“Excuse me lady, do you have any spare change? I am hungry.”When I heard him, I didn’t really hear him. His words were part of the clatter, like a car horn or someone yelling for a cab. They were, you could say, just noise—the kind of nuisance New Yorkers learn to tune out. So I walked right by him, as if he wasn’t there. But then, just a few yards past him, I stopped. And then—and I’m still not sure why I did this—I came back.When Laura Schroff first met Maurice on a New York City street corner, she had no idea that she was standing on the brink of an incredible and unlikely friendship that would inevitably change both their lives. As one lunch at McDonald’s with Maurice turns into two, then into a weekly occurrence that is fast growing into an inexplicable connection, Laura learns heart-wrenching details about Maurice’s horrific childhood. The boy is stuck in something like hell. He is six years old and covered in small red bites from chinches—bed bugs—and he is woefully skinny due to an unchecked case of ringworm. He is so hungry his stomach hurts, but then he is used to being hungry: when he was two years old the pangs got so bad he rooted through the trash and ate rat droppings. He had to have his stomach pumped. He is staying in his father’s cramped, filthy apartment, sleeping with stepbrothers who wet the bed, surviving in a place that smells like something died. He has not seen his mother in three months, and he doesn’t know why. His world is a world of drugs and violence and unrelenting chaos, and he has the wisdom to know, even at six, that if something does not change for him soon, he might not make it. Sprinkled throughout the book is also Laura’s own story of her turbulent childhood. Every now and then, something about Maurice's struggles reminds her of her past, how her father’s alcohol-induced rages shaped the person she became and, in a way, led her to Maurice. He started by cursing my mother and screaming at her in front of all of us. My mother pulled us closer to her and waited for it to pass. But it didn’t. My father left the room and came back with two full liquor bottles. He threw them right over our heads, and they smashed against the wall. Liquor and glass rained down on us, and we pulled up the covers to shield ourselves. My father hurled the next bottle, and then went back for two more. They shattered just above our heads; the sound was sickening. My father kept screaming and ranting, worse than I’d ever heard him before. When he ran out of bottles he went into the kitchen and overturned the table and smashed the chairs. Just then the phone rang, and my mother rushed to get it. I heard her screaming to the caller to get help. My father grabbed the phone from her and ripped the base right out of the wall. My mother ran back to us as my father kept kicking and throwing furniture, unstoppable, out of his mind. As their friendship grows, Laura offers Maurice simple experiences he comes to treasure: learning how to set a table, trimming a Christmas tree, visiting her nieces and nephew on Long Island, and even having homemade lunches to bring to school. “If you make me lunch,” he said, “will you put it in a brown paper bag?”I didn’t really understand the question. "Okay, sure. But why do you want it in a brown paper bag?”“Because when I see kids come to school with their lunch in a brown paper bag, that means someone cares about them.” I looked away when Maurice said that, so he wouldn’t see me tear up. A simple brown paper bag, I thought. To me, it meant nothing. To him, it was everything.It is the heartwarming story of a friendship that has spanned thirty years, that brought life to an over-scheduled professional who had lost sight of family and happiness and hope to a hungry and desperate boy whose family background in drugs and crime and squalor seemed an inescapable fate. He had, inside of him, some miraculous reserve of goodness and strength, some fierce will to be special. I saw this in his hopeful face the day he asked for spare change, and I see it in his eyes today. Whatever made me notice him on that street corner so many years ago is clearly something that cannot be extinguished, no matter how relentless the forces aligned against it. Some may call it spirit. Some might call it heart. Whatever it was, it drew me to him, as if we were bound by some invisible, unbreakable thread.And whatever it is, it binds us still.

The true story of one family, caught between America’s two biggest policy disasters: the war on terror and the response to Hurricane Katrina. Abdulrahman and Kathy Zeitoun run a house-painting business in New Orleans. In August of 2005, as Hurricane Katrina approaches, Kathy evacuates with their four young children, leaving Zeitoun to watch over the business. In the days following the storm he travels the city by canoe, feeding abandoned animals and helping elderly neighbors. Then, on September 6th, police officers armed with M-16s arrest Zeitoun in his home. Told with eloquence and compassion, Zeitoun is a riveting account of one family’s unthinkable struggle with forces beyond wind and water.A New York Times Notable Book An O, The Oprah Magazine Terrific Read of the YearA Huffington Post Best Book of the Year A New Yorker Favorite Book of the Year A Chicago Tribune Favorite Nonfiction Book of the Year A Kansas City Star Best Book of the Year A San Francisco Chronicle Best Book of the Year An Entertainment Weekly Best Book of the Decade

Return once again to the enduring account of life in the Mojo lane, to the Permian Panthers of Odessa -- the winningest high school football team in Texas history. Odessa is not known to be a town big on dreams, but the Panthers help keep the hopes and dreams of this small, dusty town going. Socially and racially divided, its fragile economy follows the treacherous boom-bust path of the oil business.In bad times, the unemployment rate barrels out of control; in good times, its murder rate skyrockets. But every Friday night from September to December, when the Permian High School Panthers play football, this West Texas town becomes a place where dreams can come true. With frankness and compassion, Bissinger chronicles one of the Panthers' dramatic seasons and shows how single-minded devotion to the team shapes the community and inspires-and sometimes shatters-the teenagers who wear the Panthers' uniforms. Includes Reader's Group Guide inside.Now a major motion picture starring Billy Bob Thorton.

Imagine a young boy who has never had a loving home. His only possesions are the old, torn clothes he carries in a paper bag. The only world he knows is one of isolation and fear. Although others had rescued this boy from his abusive alcoholic mother, his real hurt is just begining -- he has no place to call home. This is Dave Pelzer's long-awaited sequel to A Child Called "It". In The Lost Boy, he answers questions and reveals new adventures through the compelling story of his life as an adolescent. Now considered an F-Child (Foster Child), Dave is moved in and out of five different homes. He suffers shame and experiences resentment from those who feel that all foster kids are trouble and unworthy of being loved just because they are not part of a "real" family. Tears, laughter, devastation and hope create the journey of this little lost boy who searches desperately for just one thing -- the love of a family.

One of the most acclaimed books of our time, winner of both the Pulitzer and the Francis Parkman prizes, The Power Broker tells the hidden story behind the shaping (and mis-shaping) of twentieth-century New York (city and state) and makes public what few have known: that Robert Moses was, for almost half a century, the single most powerful man of our time in New York, the shaper not only of the city's politics but of its physical structure and the problems of urban decline that plague us today.In revealing how Moses did it--how he developed his public authorities into a political machine that was virtually a fourth branch of government, one that could bring to their knees Governors and Mayors (from La Guardia to Lindsay) by mobilizing banks, contractors, labor unions, insurance firms, even the press and the Church, into an irresistible economic force--Robert Caro reveals how power works in all the cities of the United States. Moses built an empire and lived like an emperor. He personally conceived and completed public works costing 27 billion dollars--the greatest builder America (and probably the world) has ever known. Without ever having been elected to office, he dominated the men who were--even his most bitter enemy, Franklin D. Roosevelt, could not control him--until he finally encountered, in Nelson Rockefeller, the only man whose power (and ruthlessness in wielding it) equalled his own.

Seabiscuit was one of the most electrifying and popular attractions in sports history and the single biggest newsmaker in the world in 1938, receiving more coverage than FDR, Hitler, or Mussolini. But his success was a surprise to the racing establishment, which had written off the crooked-legged racehorse with the sad tail. Three men changed Seabiscuit’s fortunes:Charles Howard was a onetime bicycle repairman who introduced the automobile to the western United States and became an overnight millionaire. When he needed a trainer for his new racehorses, he hired Tom Smith, a mysterious mustang breaker from the Colorado plains. Smith urged Howard to buy Seabiscuit for a bargain-basement price, then hired as his jockey Red Pollard, a failed boxer who was blind in one eye, half-crippled, and prone to quoting passages from Ralph Waldo Emerson. Over four years, these unlikely partners survived a phenomenal run of bad fortune, conspiracy, and severe injury to transform Seabiscuit from a neurotic, pathologically indolent also-ran into an American sports icon. Author Laura Hillenbrand brilliantly re-creates a universal underdog story, one that proves life is a horse race.From the Hardcover edition.

In the first volume of an extraordinary autobiographical series, one of the most inspiring authors of our time recalls--with candor, humor, poignancy and grace--how her journey began....From the Trade Paperback edition.

Now in paperback, the acclaimed and captivating true story of two restless society girls who left their affluent lives to “rough it” as teachers in the wilds of Colorado in 1916.In 1916, Dorothy Wickenden’s grandmother, Dorothy Woodruff, and her best friend, Rosamund Underwood, left society life in New York to become teachers in a new school—in the wilds of Northwestern Colorado. Traveling by train to Denver and then on horseback for three days, they arrived at the remote outpost of Elkhead, where their students, the children of homesteaders, came to school in rags and bare feet.     Central to their experiences is Ferry Carpenter, the shrewd, witty, and occasionally outrageous young lawyer and cattle rancher who hired them—in part as would-be brides for the locals. Dorothy becomes engaged to a banker in Chicago on their way West, while Rosamund is courted by both Carpenter and his best friend, a handsome mining engineer and the son of one of Denver’s wealthiest industrialists.     Nearly 100 years later, Dorothy Wickenden came across the extraordinarily detailed letters these two women sent home to their families, and she reconstructed their adventure. Nothing Daunted is an intimate, quirky story about two intrepid women on a journey that would change their lives forever.

America's Other Audubon chronicles the story of Genevieve Jones, her family, and the making of an extraordinary nineteenth-century book, Illustrations of the Nests and Eggs of Birds of Ohio. At the age of twenty-nine, Genevieve Jones, an amateur naturalist/artist and daughter of a country doctor, visited the 1876 Centennial World's Fair in Philadelphia, where she saw Audubon's paintings in Birds of America on display. His artwork inspired her to undertake the production of a book illustrating the birds nests and eggs that Audubon neglected to include in his work. Her parents were reluctant to support the undertaking of such an ambitious and expensive project until Genevieve became despondent over a broken engagement. Concerned over her fragile mental state, they encouraged her to begin the book as a distraction. Her brother collected the nests and eggs, her father paid for the publishing costs, and Genevieve and her girlhood friend learned lithography and began illustrating the specimens. The book was sold by subscription in twenty-three parts. When part one of Genevieve's work was issued, leading ornithologists praised the illustrations, and Rutherford B. Hayes and Theodore Roosevelt added their names to the subscription list. One reviewer wrote: It is one of the most beautiful and desirable works that has ever appeared in the United States upon any branch of natural history and ranks with Audubon's celebrated work on birds. Then, suddenly, Genevieve died of typhoid fever after personally completing only five of the illustrations. Her family took up the completion of the work in her memory. They labored for seven years until the book was completed in 1886; collecting nests and eggs, drawing lithographs on stone, and hand coloring fifty copies of each illustration, and writing the field notes for each species of bird. Both the brother who collected the nests and eggs and wrote the field notes, and the mother who completed the drawings on stone and hand coloring, were stricken with typhoid fever two years after Genevieve's death and nearly died. In spite of serious damage to their health, they never gave up and labored until the book was finished. The father covered the publishing costs, which were higher than had been anticipated and were not covered by the subscription price, and ultimately lost his entire retirement savings completing the task in his daughter's memory. The mother lost her eyesight at the end of her life from the effects of typhoid fever and long hours of straining to draw and color the nests and eggs. But neither parent ever complained and considered their work on the book the most important accomplishment of their lives. When the mother's copy of the volume was exhibited on the Chicago World's Fair in 1893, it was awarded a bronze medal. Only 90 copies of the book were produced and fewer than 20 have been located today in libraries or in private collections. America's Other Audubon includes a foreword by the Curator of Natural-History Rare Books at the Smithsonian, Leslie Overstreet, a prologue and introduction by researcher and writer Joy M. Kiser (with archival photographs of the family and original advertisements and ephemera from the publication and sale of the book), the 68 original color plates of nests and eggs, plus selected field notes, a key to the eggs, and a key to the birds scientific and current common names (which have changed since the book first published in the nineteenth century). Joy Kiser has been friends with the Jones ancestors for fourteen years and has access to family photographs and documents that the general public has never seen. The Joneses story has never been fully told and no other author is better prepared to tell it.