The style of the Associated Press is the gold standard for news writing. With The AP Stylebook in hand, you can learn how to write and edit with the clarity and professionalism for which they are famous. Fully revised and updated, this new edition contains more than 3,000 A to Z entries—including more than 200 new ones—detailing the AP’s rules on grammar, spelling, punctuation, capitalization, abbreviation, and word and numeral usage. You’ll find answers to such wide-ranging questions as: ·        When should the names of government bodies be spelled out and when should they be abbreviated?·        What are the general definitions of the major religious movements?·        Which companies do the big media conglomerates own?·        Who are all the members of the British Commonwealth?·        How should box scores for baseball games be filed?·        What constitutes “fair use”?·        What exactly does the Freedom of Information Act cover? With invaluable additional sections on the unique guidelines for business and sports reporting and on how you can guard against libel and copyright infringement, The AP Stylebook is the one reference that all writers, editors, and students cannot afford to be without.

This market-leading text discusses the most relevant mass media legal decisions, from the Constitution to the most recent Supreme Court sessions, in relation to their relevance to modern American law. From the Internet to political advertising laws, "Mass Media Law" examines the current issues that are shaping the United States legal system. Known for its clear explanations and its consistent pedagogy, the text includes mid-chapter summaries, a table of cases, a separate additional table of contents for Internet related cases and issues, and more. The new edition has been heavily revised to include many new cases, and updated coverage of important current media law concerns, including the right of reporters to protect their sources, censorship problems related to terrorism, file sharing and the law of privacy and ethics.

The best-selling Fundamentals of Corporate Finance (FCF) is written with one strongly held principle– that corporate finance should be developed and taught in terms of a few integrated, powerful ideas. As such, there are three basic themes that are the central focus of the book: 1) An emphasis on intuition—underlying ideas are discussed in general terms and then by way of examples that illustrate in more concrete terms how a financial manager might proceed in a given situation. 2) A unified valuation approach—net present value (NPV) is treated as the basic concept underlying corporate finance. Every subject covered is firmly rooted in valuation, and care is taken to explain how particular decisions have valuation effects. 3) A managerial focus—the authors emphasize the role of the financial manager as decision maker, and they stress the need for managerial input and judgment. The Eighth Edition continues the tradition of excellence that has earned Fundamentals of Corporate Finance its status as market leader. Every chapter has been updated to provide the most current examples that reflect corporate finance in today’s world. The supplements package has also been updated and improved. From a new computerized test bank that is easier than ever to use, to new narrated PowerPoint for students, to new interactive learning modules, student and instructor support has never been stronger. There is also an optional, exciting new web-based program called "McGraw-Hill’s Homework Manager" that will help your students learn corporate finance by duplicating problems from each chapter in the textbook and by providing automatic grading and feedback to both students and instructors.

With its clear, concise writing and easy-to-navigate chapters, "The Law of Journalism and Mass Communication" is easily the most engaging and readable book on the market. While offering essential coverage and analysis, the authors complement substantive discussion of case law with an abundance of photographs, hypothetical situations, contextual timelines, a handy marginal glossary and a colorful interior design. This title features: hypothetical cases at the start of each chapter that situate legal issues and get students thinking critically; timelines that show landmark cases within the backdrop of important historical events; real world law boxes that illustrate contemporary examples and emerging topics; points of law boxes that underscore key points through legal tests or useful checklists; and, two excerpted cases for study - complete with case facts, an explanatory headnote and questions - that conclude every chapter, eliminating the need for a separate casebook. Unlike many revisions that simply tack on new content - adding length and undermining clarity - the updates here are fully integrated, offering the current state of media law in one comprehensive (and comprehensible) discussion. New coverage includes: implications of the 2010 U.S. Supreme Court decision allowing corporations and unions the right to spend unlimited amounts on political ads; late-breaking court decisions on violence in video games and broadcast indecency; perspectives on free speech on campus and expanded coverage of the Freedom of Information Act; WikiLeaks' impact on a potential federal shield law; the latest FCC guidelines on radio station ownership; more on the laws governing online and social media publishing; the use of new media to report from courtrooms; and, new excerpted cases - Marbury v. Madison, Citizens United v. Federal Election Commission, City of Ontario v. Quon and Fox Television Stations, Inc. v. Federal Communications.

This current and comprehensive market-leading textbook addresses the most relevant and important aspects of mass media law in the United States, stretching from the history and adoption of the First Amendment to the most recent judicial opinions, statutory enactments and regulatory controversies affecting speech across the print, broadcast, cable and Internet media. From the laws of libel and privacy to the regulation of advertising and telecommunications, Mass Media Law 2009/2010 examines timely issues that are shaping the United States’ legal system and the future of media content. The new edition has been streamlined to include new opinions and updated coverage of important current media law concerns, including the right of reporters to protect their sources, censorship problems related to terrorism, file sharing, and the law of privacy.

Two entertainment attorneys and Hollywood insiders explain all the ins and outs of negotiating in the movie industry, including back ends, gross and adjusted gross profits, deferments, box office bonuses, copyrights, and much more. This easy-to-follow reference–written clearly, without confusing legal jargon–is packed with expert insights on distribution, licensing, and merchandising. The book's invaluable resource section includes definitions of lingo for acquisition agreements and employment deals, twelve ready-to-use sample contracts, and a directory of entertainment attorneys in both New York and Los Angeles. With the negotiating tips in this guide, agents, writers, directors, actors, financiers, and filmmakers will save thousands of dollars in attorney fees.

"Dealmaking" - the popular, award-winning 'self-defence' book for everyone working in the film and television industry - is now updated to include the latest legal rulings and entertainment technology developments. Addressing a general, non-attorney readership, it is a fascinating, highly accessible guide to current entertainment law's peculiarities, 'creative' practices, and practical applications. Armed with this book, filmmakers can save themselves thousands of pounds in legal fees as they navigate the shark-infested waters of the entertainment business. Whether you are a producer, writer, director, or actor, Mark Litwak will help you make the most of your business dealings while steering you clear of the many contractual traps that may await you.

MAJOR PRINCIPLES OF MEDIA LAW is a comprehensive and current summary of media law. The text is revised every year to include the most recent developments in communication law through the end of the Supreme Court's term. Each August, a new edition is available for fall classes, with recent developments through July 1 fully integrated into the text, not added as an appendix or separate supplement.

This extraordinary book explains the engine that has catapulted the Internet from backwater to ubiquity—and reveals that it is sputtering precisely because of its runaway success. With the unwitting help of its users, the generative Internet is on a path to a lockdown, ending its cycle of innovation—and facilitating unsettling new kinds of control. IPods, iPhones, Xboxes, and TiVos represent the first wave of Internet-centered products that can’t be easily modified by anyone except their vendors or selected partners. These “tethered appliances” have already been used in remarkable but little-known ways: car GPS systems have been reconfigured at the demand of law enforcement to eavesdrop on the occupants at all times, and digital video recorders have been ordered to self-destruct thanks to a lawsuit against the manufacturer thousands of miles away. New Web 2.0 platforms like Google mash-ups and Facebook are rightly touted—but their applications can be similarly monitored and eliminated from a central source. As tethered appliances and applications eclipse the PC, the very nature of the Internet—its “generativity,” or innovative character—is at risk. The Internet’s current trajectory is one of lost opportunity. Its salvation, Zittrain argues, lies in the hands of its millions of users. Drawing on generative technologies like Wikipedia that have so far survived their own successes, this book shows how to develop new technologies and social structures that allow users to work creatively and collaboratively, participate in solutions, and become true “netizens.”