“ZAMI is a fast-moving chronicle. From the author’s vivid childhood memories in Harlem to her coming of age in the late 1950s, the nature of Audre Lorde’s work is cyclical. It especially relates the linkage of women who have shaped her . . . Lorde brings into play her craft of lush description and characterization. It keeps unfolding page after page.”—Off Our Backs

"Mom, I'm gay." With three little words, gay sons and daughters can change their parents' lives forever. Twenty years ago, during a walk on a Mississippi beach, Ellen DeGeneres spoke those simple, powerful words to her mother. That emotional moment eventually brought mother and daughter closer than ever, but it was not without a struggle. In Love, Ellen, Betty DeGeneres tells her story: the complicated path to acceptance and the deepening of her friendship with her daughter, the media's scrutiny of their family life, and the painful and often inspiring stories she's heard on the road as the first nongay spokesperson for the Human Rights Campaign's National Coming Out Project.Insightful, universally touching, and uncommonly wise, Love, Ellen is a story of friendship between mother and daughter and a lesson in understanding for all parents and their children."Mom, I'm gay." With three little words, gay children can change their parents' lives forever. Yet at the same times it's a chance for those parents to realize nothing, really, has changed at all; same kid, same life, same bond of enduring love. Twenty years ago, during a walk on a Mississippi beach, Ellen DeGeneres spoke those simple, powerful words to her mother. That emotional moment eventually brought mother and daughter closer than ever, but not without a struggle. Coming from a republican family with conservative values, Betty needed time and education to understand her daughter's homosexuality -- but her ultimate acceptance would set the stage for a far more public coming out, one that would change history.In Love, Ellen, Betty DeGeneres tells her story; the complicated path to acceptance and the deepening of her friendship with her daughter; the media's scrutiny of their family life; the painful and often inspiring stories she's heard on the road as the first non-gay spokesperson for the Human Rights Campaigns National Coming Out Project.With a mother's love, clear minded common sense, and hard won wisdom, Betty DeGeneres offers up her own very personal memoir to help parents understand their gay children, and to help sons and daughters who have been rejected by their families feel less alone."Mom, I'm gay." With three little words, gay children can change their parents' lives forever. Yet at the same times it's a chance for those parents to realize nothing, really, has changed at all; same kid, same life, same bond of enduring love. Twenty years ago, during a walk on a Mississippi beach, Ellen DeGeneres spoke those simple, powerful words to her mother. That emotional moment eventually brought mother and daughter closer than ever, but not without a struggle. Coming from a republican family with conservative values, Betty needed time and education to understand her daughter's homosexuality -- but her ultimate acceptance would set the stage for a far more public coming out, one that would change history.In Love, Ellen, Betty DeGeneres tells her story; the complicated path to acceptance and the deepening of her friendship with her daughter; the media's scrutiny of their family life; the painful and often inspiring stories she's heard on the road as the first non-gay spokesperson for the Human Rights Campaigns National Coming Out Project.With a mother's love, clear minded common sense, and hard won wisdom, Betty DeGeneres offers up her own very personal memoir to help parents understand their gay children, and to help sons and daughters who have been rejected by their families feel less alone.

ExcerptsA letter from Lilly to Felice, March 31st, 1943Felice, I love you! What a feeling it is to be able to say that! Oh, Felice, the nicest fate I could hope for is that of lasting happiness. I want to live with you for a long, a very long time, do you hear? And life is so beautiful, so wonderful. Felice, do you belong to me - without limit? To me only? Please say you do, at least for a very long time to come, please! Do you love me? I'm acting like a seventeen-year-old, arent't I?Be good to me, Felice, please? And yet please don't hold back. I wanted to lure you out of your hiding place. I am like a child playing with fire; will I get burned? A little? Totally? Felice, stop me! Isn't it just a little bit your fault that I'm so crazy, so totally crazy?A poem from Felice to Lilly, Christmas 1943That there was a time before you - I can't believe!To me, we've forever been this way,Together, side by side in life and in dreams,Surrounded both by darkness and the light of day.You belong to me! Since you arrived,And slowly at first, then full of trust,Placed your heart in my hands, I have strivedFor the strength to build a life for us.So I have hope for days yet to come,As this year nods and slips into air,Because before me, like some emblem,I carry the copper gleam of your hair.Extract: "The Vow"January 30th, 1943, the tenth anniversary of Hitler's seizure of power, Hermann Göring's speech to Berliners was delayed for two hours because British scout planes were flying over the city in broad daylight for the first time. Four days after Göring declared his certainty of victory, the remaining German troops trapped in Stalingrad capitulated. Accompanied by funereal music, the defeat was announced on the radio. On February 18th Reichspropaganda minister Goebbels spurred the German people to make a greater effort. In a "Declaration of fanatical Will" at the Berlin Sportpalast he announced the "Salvation of Germany and the whole of civilisation" through "total war". In memory of the victims of the Russian campaign, a three minute traffic stoppage was declared. At the Zoo station, people stood stock

"How had the pair of elderly Jewish lesbians survived the Nazis?” Janet Malcolm asks at the beginning of this extraordinary work of literary biography and investigative journalism. The pair, of course, is Gertrude Stein, the modernist master “whose charm was as conspicuous as her fatness” and “thin, plain, tense, sour” Alice B. Toklas, the “worker bee” who ministered to Stein’s needs throughout their forty-year expatriate “marriage.” As Malcolm pursues the truth of the couple’s charmed life in a village in Vichy France, her subject becomes the larger question of biographical truth. “The instability of human knowledge is one of our few certainties,” she writes. The portrait of the legendary couple that emerges from this work is unexpectedly charged. The two world wars Stein and Toklas  lived through together are paralleled by the private war that went on between them. This war, as Malcolm learned, sometimes flared into bitter combat.Two Lives is also a work of literary criticism. “Even the most hermetic of [Stein’s] writings are works of submerged autobiography,” Malcolm writes. “The key of  'I' will not unlock the door to their meaning—you need a crowbar for that—but will sometimes admit you to a kind of anteroom of suggestion.” Whether unpacking the accessible Autobiography of Alice B. Toklas, in which Stein “solves the koan of autobiography,” or wrestling with The Making of Americans, a masterwork of “magisterial disorder,” Malcolm is stunningly perceptive.Praise for the author:“[Janet Malcolm] is among the most intellectually provocative of authors . . .able to turn epiphanies of perception into explosions of insight.”—David Lehman, Boston Globe“Not since Virginia Woolf has anyone thought so trenchantly about the strange art of biography.”—Christopher Benfey 

In 1981, at the age of 15, Daphne Scholinski was put in a mental hospital for what her psychiatrist called "failure to identify as a sexual female." Though the facts are truly frightening, The Last Time I Wore a Dress is an expose of a shameful medical sham that destroyed countless childhoods.

This is a funny, moving story about life in a small town, from the point of view of a pregnant lesbian. Louise A. Blum, author of the critically acclaimed novel Amnesty, now tells the story of her own life and her decision to be out, loud, and pregnant. Mixing humor with memorable prose, Blum recounts how a quiet, conservative town in an impoverished stretch of Appalachia reacts as she and a local woman, Connie, fall in love, move in together, and determine to live their life together openly and truthfully.     The town responds in radically different ways to the couple’s presence, from prayer vigils on the village green to a feature article in the family section of the local newspaper. This is a cautionary, wise, and celebratory tale about what it’s like to be different in America—both the good and the bad. A depiction of small town life with all its comforts and its terrors, this memoir speaks to anyone who has ever felt like an outsider in America. Blum tells her story with a razor wit and deft precision, a story about two "girls with grit," and the child they decide to raise, right where they are, in small town America.

Audre Lorde (1934-1992) was the author of The Cancer Journals, and an icon of American womanhood, poetry, African American arts and survival. She created a mythic identity for herself that retains its vitality to this day. Alexis De Veaux demystifies Lorde's iconic status, charting her childhood; her marriage to a white, gay man with whom she had two children; her emergence as an outspoken black feminist lesbian poet; and her canonisation as a seminal poet of American literature. Lorde's restless search for a spiritual home finally brought her to the island of St Croix in 1986. This long-awaited first biography draws on the private archives of the poet's estate, personal journals, and interviews with members of Lorde's family, friends and lovers. Assessing the cultural legacy of a woman who personified the civil rights struggles of the twentieth century, De Veaux pays homage to one of the most courageous, singular voices of American letters.

A new memoir from the author of the popular Writing the Memoir: From Truth to Art.

In 1959, the year Terry Galloway turned nine, the voices of everyone she loved began to disappear. No one yet knew that an experimental antibiotic given to her mother had wreaked havoc on her fetal nervous system, eventually causing her to go deaf. As a self-proclaimed "child freak," she acted out her fury with her boxy hearing aids and Coke-bottle glasses by faking her own drowning at a camp for crippled children. Ever since that first real-life performance, Galloway has used theater, whether onstage or off, to defy and transcend her reality. With disarming candor, she writes about her mental breakdowns, her queer identity, and living in a silent, quirky world populated by unforgettable characters. What could have been a bitter litany of complaint is instead an unexpectedly hilarious and affecting take on life.From the Trade Paperback edition.