After losing her parents and being shipped from India to the Yorkshire Moors, Mary Lennox is terribly lonely. Living in her uncle's gloomy mansion, she has nobody to play with. But one day, she learns of a secret garden somewhere in the grounds that her uncle won't allow anyone to enter. Then Mary uncovers an old key in a flowerbed - and a gust of magic leads her to the hidden door. Slowly, she turns the key and enters a world she could never have imagined...

In the nineteenth century Uncle Tom's Cabin sold more copies than any other book in the world except the Bible.It was quickly translated into thirty-seven languages and has never gone out of print. The book had a far-reaching impact and deeply affected the national conscience of antebellum America. The Norton Critical Edition text is that of the 1852 book edition, published in two volumes by John P. Jewett and Company, Boston; original illustrations are included. Annotations are provided to assist the reader with obscure historical terms and biblical allusions. Backgrounds and Contexts includes a wealth of historical material relevant to slavery and abolitionism. Among the documents presented are Josiah Henson's 1849 slave narrative (named by Stowe as one of the sources for the novel); Solomon Northup's eyewitness account of an 1841 slave auction; Harriet Jacobs's narrative of her life as a fifteen-year-old slave; two epistolary accounts by ex-slave and abolitionist William Wells Brown, which document events in Uncle Tom's Cabin; two crucial excerpts from Stowe's Key to "Uncle Tom's Cabin " which provide the real-life basis for characters and events in the novel; and accounts of Tom-Shows and the anti-Uncle Tom literature that sprang up in response to the novel's publication. Illustrative material includes slave advertisements, runaway slave posters, and illustrations for the first British edition of Uncle Tom's Cabin by Britain's premier illustrator, George Cruikshank, as well as popular illustrations from American editions of the novel. Criticism is arranged under two headings. "Nineteenth-Century Reviews and Reception" includes critiques by George Sand, William G. Allen and Ethiop (both from Frederick Douglass' Paper), George F. Holmes, and Paul Laurence Dunbar, among others. Twentieth-Century Criticism collects five of the best critical assessments of the novel's continuing impact on American society. With the exception of James Baldwin's groundbreaking essay, "Everybody's Protest Novel," the critical essays date from the years 1985 to 1992. Jane P. Tompkins investigates why the text was excluded from the canon for most of the twentieth century. Robert S. Levine provides an overview of the text's popular reception and influence since publication, including current critical schools and critics. Hortense J. Spillers takes a textual/linguistic view in her comparison between Stowe and Ishmael Reed as "impression points in the literary imagination of slavery." And Christina Zwarg traces the influence Stowe's feminism had on her treatment of fatherhood and its effect on the home. A Chronology of Stowe's life and work and a Selected Bibliography are also included.

The tale of a youth whose features, year after year, retain the same appearance of innocent beauty while the shame of his abhorrent vices becomes mirrored on the features of his portrait.

Born in Bombay, India, but raised in England from the age of five, Rudyard Kipling (1865-1936) is today best known as the author of such classics of literature as The Jungle Book (1894), Kim (1902) and Just So Stories (1902). He returned to India in 1882 to become a journalist and local newspaper editor and began writing supernatural stories set in his native continent. Kipling was the first British writer to be award the Nobel Prize for Literature, in 1907.

The original CliffsNotes study guides offer expert commentary on major themes, plots, characters, literary devices, and historical background. The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format.With help from CliffsNotes on Incidents in the Life of a Slave Girl, you explore the first book-length narrative by an ex-slave that reveals the unique brutalities inflicted on enslaved African women in the South.The chapter summaries and commentaries in this study guide expose you to a harrowing story of degradation and sexual exploitation; the struggle for freedom and self-definition; community and family; and writing as a means of freedom. Other features that help you study includeAn in-depth look at the life of the author, Harriet A. JacobsCharacter analyses of major playersA character map that graphically illustrates the relationships among the charactersCritical essaysGlossaries of key words and termsA review section that tests your knowledgeClassic literature or modern modern-day treasure — you'll understand it all with expert information and insight from CliffsNotes study guides.

A sumptuous annotated edition of the great American novel."All modern American literature comes from one book by Mark Twain called Huckleberry Finn," Ernest Hemingway once declared. First published in 1885, the book has delighted millions of readers, while simultaneously riling contemporary sensibilities, and is still banned in many schools and libraries. Now, Michael Patrick Hearn, author of the best-selling The Annotated Wizard of Oz, thoroughly reexamines the 116-year heritage of that archetypal American boy, Huck Finn, and follows his adventures along every bend of the mighty Mississippi River. Hearn's copious annotations draw on primary sources including the original manuscript, Twain's revisions and letters, and period accounts. Reproducing the original E. W. Kemble illustrations from the first edition, as well as countless archival photographs and drawings, some of them previously unpublished, The Annotated Huckleberry Finn is a book no family's library can do without; it may well prove to be the classic edition of the great American novel. 274 illustrations, two-color throughout

Emma, by Jane Austen, is part of the Barnes&Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes&Noble Classics:All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes&Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Emma Woodhouse is a wealthy, exquisite, and thoroughly self-deluded young woman who has "lived in the world with very little to distress or vex her."Jane Austen exercises her taste for cutting social observation and her talent for investing seemingly trivial events with profound moral significance as Emma traverses a gentle satire of provincial balls and drawing rooms, along the way encountering the sweet Harriet Smith, the chatty and tedious Miss Bates, and her absurd father Mr. Woodhouse–a memorable gallery of Austen's finest personages. Thinking herself impervious to romance of any kind, Emma tries to arrange a wealthy marriage for poor Harriet, but refuses to recognize her own feelings for the gallant Mr. Knightley. What ensues is a delightful series of scheming escapades in which every social machination and bit of "tittle-tattle" is steeped in Austen's delicious irony. Ultimately, Emma discovers that "Perfect happiness, even in memory, is not common."Virginia Woolf called Jane Austen "the most perfect artist among women," and Emma Woodhouse is arguably her most perfect creation. Though Austen found her heroine to be a person whom "no one but myself will much like," Emma is her most cleverly woven, riotously comedic, and pleasing novel of manners.Steven Marcus is Professor of English and Comparative Literature and George Delacorte Professor in the Humanities at Columbia University, and a specialist in nineteenth-century literature and culture. A fellow of both the American Academy of Arts and Sciences and the Academy of Literary Studies, he has received Fulbright, American Council of Learned Societies, Guggenheim, Center for Advanced Study in the Behavioral Sciences, Rockefeller, and Mellon grants. He is the author of more than 200 publications.

A man must endure relentless physical and mental punishments as retribution for his act of murder.

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"James Rieger's Frankenstein is relatively special among editions: it is the definitive scholarly text, and it is also the most readable copy for the classroom and the general reader. . . .The Rieger Frankenstein is very simply the best edition of this tremendously important and popular novel."—William Veeder, University of Chicago