Mozart's own words, edited by Friedrich Kerst and Henry Edward Krehbiel

Books I and II of this traditional edition in Schirmer's Library of Musical Classics have been combined in an affordable new volume. An excellent resource for Late Elementary to Early Intermediate pianists.

This new volume in Schirmer's Library of Musical Classics presents 26 preludes, 21 nocturnes and 19 waltzes - a large amount of music at a value price. There are new urtext editions of seven pieces included, not edited by Joseffy in his original Schirmer editions: Prelude in A-flat Major (1834), Nocturne in C-sharp minor (1830), Nocturne in C minor (1837), and Waltzes in A-flat Major (1830), E-flat Major (1830), E-flat Major (1840), and A minor (1843).

English National Opera Guides are ideal companions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original. "A Landmark in Musical History" is John Luke Rose's title for the introduction to this extraordinary piece of theater. It belongs to the German tradition of mystical writing and a short note on the poem itself by Martin Swales and Timothy McFarland elucidates some of Wagner's literary techniques. Anthony Negus, who assisted Reginald Goodall on the WNO production of this opera, has contributed a penetrating analysis of the musical structure of the opera, while Patrick Carnegy assesses the remarkable solutions to staging an opera which some argue is best experienced with your back to the performers!

Easy Piano Vocal Selections

After his acclaimed and best-selling Finishing the Hat (named one of the New York Times 10 Best Books of 2010), Stephen Sondheim returns with the second volume of his collected lyrics, Look, I Made a Hat, giving us another remarkable glimpse into the brilliant mind of this living legend, and his life’s work.   Picking up where he left off in Finishing the Hat, Sondheim gives us all the lyrics, along with excluded songs and early drafts, of the Pulitzer Prize–winning Sunday in the Park with George, Into the Woods, Assassins and Passion. Here, too, is an in-depth look at the evolution of Wise Guys, which subsequently was transformed into Bounce and eventually became Road Show. Sondheim takes us through his contributions to both television and film, some of which may surprise you, and covers plenty of never-before-seen material from unproduced projects as well. There are abundant anecdotes about his many collaborations, and readers are treated to rare personal material in this volume, as Sondheim includes songs culled from commissions, parodies and personal special occasions over the years—such as a hilarious song for Leonard Bernstein’s seventieth birthday. As he did in the previous volume, Sondheim richly annotates his lyrics with invaluable advice on songwriting, discussions of theater history and the state of the industry today, and exacting dissections of his work, both the successes and the failures.   Filled with even more behind-the-scenes photographs and illustrations from Sondheim’s original manuscripts, Look, I Made a Hat is fascinating, devourable and essential reading for any fan of the theater or this great man’s work.

Volume I of authoritative Schenker edition includes Op. 2, Nos. 1-3; Op. 7; Op. 10, Nos. 1-3; Op. 13; Op. 14, Nos. 1-2; Op. 22; Op. 26; Op. 27, Nos. 1-2; Op. 28. Noteheads have been reproduced in a size large enough to read easily at the keyboard, and there are generous spaces for written notes. The footnotes and Preface have been newly translated for this edition.

In Hat Box, Stephen Sondheim presents his complete collected lyrics from the acclaimed Finishing the Hat and Look, I Made a Hat. This box set includes lyrics from Sondheim’s most popular shows like West Side Story, Sweeney Todd, Sunday in the Park with George, and Into the Woods, richly annotated with anecdotes, pointed observations, and invaluable advice from one of the greatest songwriters of our time. This handsomely designed package is essential reading for any fan of the theater or this living legend’s work.

Stephen Sondheim has won seven Tonys, an Academy Award, seven Grammys, a Pulitzer Prize and the Kennedy Center Honors. His career has spanned more than half a century, his lyrics have become synonymous with musical theater and popular culture, and in Finishing the Hat—titled after perhaps his most autobiographical song, from Sunday in the Park with George—Sondheim has not only collected his lyrics for the first time, he is giving readers a rare personal look into his life as well as his remarkable productions.Along with the lyrics for all of his musicals from 1954 to 1981—including West Side Story, Company, Follies, A Little Night Music and Sweeney Todd—Sondheim treats us to never-before-published songs from each show, songs that were cut or discarded before seeing the light of day. He discusses his relationship with his mentor, Oscar Hammerstein II, and his collaborations with extraordinary talents such as Leonard Bernstein, Arthur Laurents, Ethel Merman, Richard Rodgers, Angela Lansbury, Harold Prince and a panoply of others. The anecdotes—filled with history, pointed observations and intimate details—transport us back to a time when theater was a major pillar of American culture. Best of all, Sondheim appraises his work and dissects his lyrics, as well as those of others, offering unparalleled insights into songwriting that will be studied by fans and aspiring songwriters for years to come. Accompanying Sondheim’s sparkling writing are behind-the-scenes photographs from each production, along with handwritten music and lyrics from the songwriter’s personal collection. Penetrating and surprising, poignant, funny and sometimes provocative, Finishing the Hat is not only an informative look at the art and craft of lyric writing, it is a history of the theater that belongs on the same literary shelf as Moss Hart’s Act One and Arthur Miller’s Timebends. It is also a book that will leave you humming the final bars of Merrily We Roll Along, while eagerly anticipating the next volume, which begins with the opening lines of Sunday in the Park with George.

Here is an affordable edition of the complete 48 preludes and fugues in all major and minor keys. Reprinted from the authoritative Bach-Gesellschaft edition, the book also features handy explanation of ornaments in English plus tempo indications and music corrections. "His art was of an encyclopedic nature." — Grove's Dictionary of Music and Musicians.