Fiji’s Natural Heritage is the acclaimed introduction to the flora, fauna and ecology of the Fiji Islands. First published in 1988, this superb new edition has been completely revised, expanded and redesigned. Written for the general reader as well as for the natural history enthusiast, Fiji’s Natural Heritage is the only book that provides a comprehensive overview of Fiji’s rich biodiversity. The Fiji Islands have a large number of endemic species. These and the introduced species are illustrated and described with their common, scientific and Fijian names given. Paddy Ryan’s text is packed with fascinating biological facts and features, as well as many engaging anecdotes detailing encounters with his subjects including the grey reef shark, the crested and the banded iguana, the fiddler crab (which signals frantically to potential mates with its enlarged chela or claw), the frigate bird (an aerial pirate), and Fiji’s national flower, the tagimaucia. Fiji’s Natural Heritage is a major publication on the Pacific Islands. It will be one of the best value natural history and travel titles!

The Method of Hope examines the relationship between hope and knowledge by investigating how hope is produced in various forms of knowledge—Fijian, philosophical, anthropological. The book discusses the hope entailed in a wide range of Fijian knowledge practices such as archival research, gift giving, Christian church rituals, and business practices, and compares it with the concept of hope in the work of philosophers such as Immanuel Kant, Ernst Bloch, Walter Benjamin, and Richard Rorty.The book participates in on-going debates in social theory about how to reclaim the category of hope in progressive thought. The book marks a significant departure from other such efforts by combining a detailed ethnographic analysis of the production of hope in Fijian knowledge practices with an imaginative reading of well-known philosophical texts. The aim is to carve out a space for a new kind of relationship between anthropology and philosophy.

How do ordinary people respond when their lives are irrevocably altered by terror and violence? Susanna Trnka was residing in an Indo-Fijian village in the year 2000 during the Fijian nationalist coup. The overthrow of the elected multiethnic party led to six months of nationalist aggression, much of which was directed toward Indo-Fijians. In State of Suffering, Trnka shows how Indo-Fijians' lives were overturned as waves of turmoil and destruction swept across Fiji.Describing the myriad social processes through which violence is articulated and ascribed meaning-including expressions of incredulity, circulation of rumors, narratives, and exchanges of laughter and jokes-Trnka reveals the ways in which the community engages in these practices as individuals experience, and try to understand, the consequences of the coup. She then considers different kinds of pain caused by political chaos and social turbulence, including pain resulting from bodily harm, shared terror, and the distress precipitated by economic crisis and social dislocation.Throughout this book, Trnka focuses on the collective social process through which violence is embodied, articulated, and silenced by those it targets. Her sensitive ethnography is a valuable addition to the global conversation about the impact of political violence on community life.

May 19, 2000. Fiji’s democratically elected multiracial government is hijacked by a group of armed gunmen led by George Speight, and held hostage for fifty days. Suva, the capital, is torched and looted as Speight’s supporters gather on the lawns of the parliamentary complex, dancing, cooking food, celebrating the purported abrogation of the constitution that brought the People’s Coalition government to power. The country is plunged into darkness yet again, enduring the pain of three coups in a period of just thirteen years. The process of healing and reconciliation, symbolised by the enactment of a new Constitution, unanimously approved by Parliament and blessed by the powerful Great Council of Chiefs, lies discarded, as winds of ethnic chauvinism sweep through the countryside, damaging the fragile fabric of multiculturalism that was carefully constructed by so many over many years. The economy is on the brink of collapse, investor confidence has vanished, and the best and the brightest are seeking succour on other shores. Fiji falls victim, yet again, to the prejudice and greed of a section of its people. This book gathers together a handful of memoirs of those tragic events in Fiji. They were written while the gun was still smoking; personal, anguished reactions of people from all walks of life, concerned about a country they all love but deeply distressed by the developments there. They are first reactions. They will in time become essential building blocks for a larger interpretive framework of academic analysis about origins, processes and impacts. Straight from the heart, these memoirs will be remembered as the people of Fiji and their friends elsewhere contemplate the wreckage and ruin brought about by that act of madness in the month of May 2000.

Thucydides' classic work on the history of the Peloponnesian War is the root of Western conceptions of history—including the idea that Western history is the foundation of everyone else's. Here, Marshall Sahlins takes on Thucydides and the conceptions of history he wrought with a groundbreaking new book that shows what a difference an anthropological concept of culture can make to the writing of history.Sahlins begins by confronting Thucydides' account of the Peloponnesian War with an analogous "Polynesian War," the fight for the domination of the Fiji Islands (1843-55) between a great sea power (like Athens) and a great land power (like Sparta). Sahlins draws parallels between the conflicts with an eye to their respective systems of power and sovereignty as well as to Thucydides' alternation between individual (Pericles, Themistocles) and collective (the Athenians, the Spartans) actors in the making of history. Characteristic of most histories ever written, this alternation between the agency of "Great Men" and collective entities leads Sahlins to a series of incisive analyses ranging in subject matter from Bobby Thomson's "shot heard round the world" for the 1951 Giants to the history-making of Napoleon and certain divine kings to the brouhaha over Elián Gonzalez. Finally, again departing from Thucydides, Sahlins considers the relationship between cultural order and historical contingency through the recounting of a certain royal assassination that changed the course of Fijian history, a story of fratricide and war worthy of Shakespeare.In this most convincing presentation yet of his influential theory of culture, Sahlins experiments with techniques for mixing rich narrative with cultural explication in the hope of doing justice at once to the actions of persons and the customs of people. And he demonstrates the necessity of taking culture into account in the creation of history—with apologies to Thucydides, who too often did not. (20041215)

RONALD WRIGHT'S EXPLORATION OF THE FIJI ISLANDS BEGINS IN THE FIJI MUSEUM WHERE A CAPTION IDENTIFIES THE OBJECT DISPLAYED AS THE "FORK USED IN EATING MR BAKER". PERHAPS NOWHERE ELSE IN THE WORLD IS THERE A CULTURE THAT HAS COME THROUGH THE COLONIAL EXPERIENCE WITHOUT BEING DEEPLY SCARRED BY IT:IN ONLY A HUNDRED YEARS SINCE THE WESLEYAN MISSIONARY BAKER WAS EATEN BY NATIVES,FIJI HAS BECOME A CIVILIZATION THAT HAS ADAPTED,EVEN EMBRACED WITH 20TH CENTURY. WRIGHT BELIEVES THAT THIS ABSENCE OF TRAUMA IS IN PART DUE TO THE INSULARITY OF THE MANY COEXISTENT BUT INTROVERTED COMMUNITIES THAT EXIST ON THE ISLANDS IN THE FIJI GROUP - THE SEPARATION ALLOWS A "UNITY" THAT IS HARMONIOUS IN COMPARISON TO OTHER COUNTRIES WITH PARALLEL HISTORIES. WRIGHT WILL EXAMINE THIS THEME AND ITS RELATED TOPIC OF THE INSULARITY OF MODERN TRAVELLERS AGAINST THE HISTORICAL,POLITICAL,AND ANTHROPOLOGICAL BACKDROP OF THE FIJI ISLANDS - SEEMINGLY ONE OF THE WORLD'S MOST EXOTIC LOCALES. AS IN THE AUTHOR'S HIGHLY-PRAISED "CUT STONES AND CROSSROADS",WRIGHT WILL DRAW THESE STRAINS TOGETHER SKILLFULLY,ALLOWING THE READER BOTH A VIVID PORTRAIT (18/3/87). OF THE ISLANDS AND A RARE EXPOSURE OF THE NUANCES OF A FOREIGN CULTURE.

Examining the complex and multifaceted phenomenon of Christianity in Fiji, "My God My Land" reveals the deeply complex and often paradoxical dynamics and tensions between processes of change and continuity, both as they unfold in the representations and practices of Christianity and tradition in people's everyday lives, faiths and ceremonial and ritual situations, and in relation to the broader, 'national' level of politics and media debate in wider society. It draws upon extensive fieldwork in the region to consider the intertwining of people's beliefs; their understandings and practices of their Christian faith, and the manner in which their faith is interwoven with ideals, understandings and practices of 'tradition', with change and with contemporary politics. The complexities discussed in the book reflect not only the entwining of the past in the present, but also the inevitable entanglement and representation of the local and the global and will be of interest not only to anthropologists of the South Pacific region, but also to social scientists working in the field of religion, representation, tradition and social change.

Indians first came to Fiji as indentured laborers in 1879. Since the Rabuka coup d'etat in 1987, and three subsequent Fiji coups, Indian-Fijians have been emigrating from the country in earnest. Stopover is a haunting suite of photographs by New Zealand artist Bruce Connew from the tiny Indian-Fijian sugar cane settlement of Vatiyaka, taken during seven visits between June 2000 and November 2003, placing an extended family inside the story of migration. Connew's narrative captions and a story by Brij V. Lal take the reader to the heart of an embattled life.