Product Details Paperback: 173 pages Publisher: Gay Presses of New York; 1st edition (May 1981) Language: English

On October 7, 1998, a young gay man was discovered bound to a fence in the hills outside Laramie, Wyoming, savagely beaten and left to die in an act of hate that shocked the nation. Matthew Shepard’s death became a national symbol of intolerance, but for the people of Laramie the event was deeply personal, and it’s they we hear in this stunningly effective theater piece, a deeply complex portrait of a community.

The most anticipated new American play of the decade, this brilliant work is an emotional, poetic, political epic in two parts: Millennium Approaches and Perestroika. Spanning the years of the Reagan administration, it weaves the lives of fictional and historical characters into a feverish web of social, political, and sexual revelations.

Written by the leading gender communication scholar, Julia Wood's text introduces students to theories, research, and pragmatic information that demonstrate the multiple and often interactive ways in which our views of masculinity and femininity are shaped within contemporary culture. With the most up-to-date research, balanced perspectives of masculinity and femininity, a personal introduction to the field, and a conversational first-person writing style, GENDERED LIVES provides students with an engaging text that encourages them to think critically about gender and our society.

Act 1, Scene 1. Ashland, Oregon. Enter WREN LANDRY.Wren has happily fled San Francisco and her nationally-known work as secretive food critic Eno Threlkeld for a few weeks’ vacation to visit her twin brother, Raven. Enter Raven, thrilled to be playing Beatrice in this season’s Much Ado About Nothing.Enter SOPHIE WARD, former investment banker, now goat farmer and cheese monger, followed by a ruthless celebrity chef with a grudge against Eno, a zealous cupcake competitor, a baker who makes aebleskivers everybody covets, a family of Danish immigrants with a fishy back story, and a dubious seer whose predictions might just hold the key to averting disaster.In this mixed-up story of mistaken identities, mysterious loves, miscues, merriment and mayhem, love runs amok on the streets of a Shakespearean festival, and not even the goats on the Tallulah Rose Farm know how it all ends.Join Golden Crown Literary Award winner Robbi McCoy for an unforgettable romp through the comedy of love on the road to happiness and beautiful cheese. No pentameters, iambic or otherwise, were harmed in the writing of this romantic novel.

Now in paperback, the complete story of the actor's career, including his secret gay life. Raymond Burr (1917-1993) was an enigma. A film noir regular known for his villainous roles in movies like Rear Window, he eventually became one of the most popular stars in television history as the lead actor on two top-rated dramas, Perry Mason and Ironside, which between them ran virtually uninterrupted for 20 years. But Raymond Burr was leading a secret gay life at a time in Hollywood when exposure would have been career suicide. To protect his secret, Burr fabricated a tragic past for himself as a grieving husband and father. He claimed to have been twice widowed - he said his first wife had died in a plane crash, and his second marriage had ended with his wife's early death from cancer. And there was also a dead son - 10-year-old Michael, who lost his battle with leukemia. Neither of the wives nor Michael ever existed. But that didn't stop these lies from being perpetuated again and again, even in Burr's New York Times obituary. Hiding in Plain Sight examines the totality of Raymond Burr's career and his personal life, including his 35 years with partner Robert Benevides. The author interviewed over 30 people who knew or worked with Burr, including Angela Lansbury, Barbara Hale, Robert Wagner, Gale Storm, and more.

Martin Sherman's worldwide hit play Bent took London by storm in 1979 when it was first performed by the Royal Court Theatre, with Ian McKellen as Max (a character written with the actor in mind). The play itself caused an uproar. "It educated the world," Sherman explains. "People knew about how the Third Reich treated Jews and, to some extent, gypsies and political prisoners. But very little had come out about their treatment of homosexuals." Gays were arrested and interned at work camps prior to the genocide of Jews, gypsies, and handicapped, and continued to be imprisoned even after the fall of the Third Reich and liberation of the camps. The play Bent highlights the reason why - a largely ignored German law, Paragraph 175, making homosexuality a criminal offense, which Hitler reactivated and strengthened during his rise to power.

Three-time Pulitzer Prize-winner Edward Albee's most provocative, daring, and controversial play since Who's Afraid of Virginia Woolf?, The Goat won four major awards for best new play of the year (Tony, New York Drama Critics Circle, Drama Desk, and Outer Critics Circle). In the play, Martin, a successful architect who has just turned fifty, leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with a goat (named Sylvia), he sets in motion events that will destroy his family and leave his life in tatters. The playwright himself describes it this way: "Every civilization sets quite arbitrary limits to its tolerances. The play is about a family that is deeply rocked by an unimaginable event and how they solve that problem. It is my hope that people will think afresh about whether or not all the values they hold are valid."

From his Glaswegian childhood and American adolescence to his starring role in the Doctor Who spinoff Torchwood, this memoir traces the life and career of actor John Barrowman. John made a name for himself with remarkable West End achievements, including an Olivier Award nomination and success in the movies The Producers and De-Lovely. Television success was also assured when Torchwood won a Best Drama BAFTA. John also lays bare his personal life: his emigration as a child, coming out to his family, turning down a job at Disney, and his civil partnership with long-term partner Scott Gill. Revelatory and insightful, told with real heart and characteristic Barrowman charm, this is a wonderful tale of how one boy achieved his dreams.