0205720803 / 9780205720804 PHOTOGRAPHY&MYPHOTOGRAPHYKIT SACC PKG * Package consists of 0136053351 / 9780136053354 MyPhotographyKit Student Access Code 0205711499 / 9780205711499 Photography   MyPhotographyKit: Interact and experience with photographs! MyPhotographyKit includes practice quizzes, interactive demonstrations of technical concepts enhanced with audio and video, guided tours (CLOSER LOOK FEATURE) of fine art photographs designed to help students improve their composition, an interactive troubleshooting section, and more. MyPhotographyKit is available at no additional charge when ordered in a package. www.myphotographykit.com

Since ground was first broken, New York City's subway system has been the stuff of living legend--and a source of inspiration and fear. This dark, democratic environment provided the setting for photographer Bruce Davidson's first extensive series in color, originally published in 1986. In it, subway riders are set against a gritty, graffiti-strewn background, displayed in tones Davidson described as "an iridescence like what I had seen in photographs of deep-sea fish." Never before had the subway been portrayed in such detail, revealing the interplay of its inner landscape and outer vistas. The images include lovers, commuters, tourists, families, and the homeless. From weary strap hangers to languorous ladies in summer dresses to stalking predators, Davidson's compassionate vision illuminates the stubborn survival of humanity. From the spring of 1980 to 1985, Davidson explored and shot 600 miles of subway tracks. In his own words, he "wanted to transform this subway from its dark, degrading, and impersonal reality into images that open up our experience again to the color, sensuality, and vitality of the individual souls that ride it each day." Now nearly 25 years later, and on the eve of the subway's 100th anniversary, St. Ann's Press is publishing a new edition of Davidson's classic book. This edition adds 43 unseen images to the original book, and includes an introduction by Arthur Ollman of the Museum of Photographic Art in San Diego, and a foreword by Fred Braithwaite (aka Fab Five Freddy), the original graffiti artist. It also includes Bruce Davidson and Henry Geldzahler's original essays.

Master composition and design to take your photos from okay to wow   You already own the most important photography tool—your creative eye. With this book, you’ll learn how classic design and composition principles can be applied to a wide range of photographic situations to create images with impact. Jim Miotke and Kerry Drager, both veteran photographers and experienced instructors, share time-tested design guidelines, composition techniques, even tips on when to break the rules, that will transform the way you make photographs.

The classic book on color photography is back in print and completely revamped for a digital photography audience!  Learn from step-by-step instruction, illustrative charts, and unbelievably inspirational imagery in this guide meant just for color photographers.  World renowned artists give you insight as to "how they did that" and the author provides challenging assignments to help you take photography to a new level.  With aesthetic and technical instruction like no other, this book truly is the bible for color photographers. Be sure to visit the companion website, featuring portfolios and commentary by contemporary artists: www.exploringcolorphotography.com* completely rewritten for digital photographers * gorgeous images contributed by renowned photographers throughout the world * written by a well known photographer and instructor

"Criticizing Photographs: An Introduction to Understanding Images is now in its third edition and it has become the standard in photo criticism and theory courses throughout the United States. The book contains an elegant pedagogical apparatus founded on the four critical activities that Terry Barrett so ably illuminates -- describing, interpreting, evaluating, and theorizing. Moreover, Barrett's analytical categorization of photographs into ideal types including the aesthetically evaluative and the interpretive (to cite two examples) has provided readers with a highly original and useful way to think about how photographs are made to function in the world." Louis Kaplan, Southern Illinois University

Become a Better Digital Photographer, One Assignment at a Time There is no better way to learn than by doing. While theories, histories, best practices, and sciences ground a thorough knowledge of any subject, at some point you have to apply that information to truly garner knowledge. This book provides real-world assignments that guide prospective photographers to a true understanding and mastery of the craft. Each assignment includes a list of goals, detailed instructions, illustrations, and examples. Individual assignments build on one another, allowing your mastery to grow as the book continues. Learn about the capabilities and limitations of your equipment; the proper ways to expose a scene for digital capture; dos and don'ts of cropping and scene placement; how to color manage a scene in-camera; and how to see, manipulate, and augment light to obtain the best possible native files.

Light-hearted sayings and witty quotations about life as a cowboy, together with David Stoecklein’s striking photographs, make up this tribute to the simple code and genuine moral values of the many working cowgirls and cowboys of the West. This book imparts a valuable lesson to its readers—that of living honestly, giving back to the world, and getting the most out of what life has to offer.

The most thrilling of all journeys--the missions of the Apollo astronauts to the surface of the Moon and back--yielded 32,000 extraordinarily beautiful photographs, the record of a unique human achievement. Until recently, only a handful of these photographs had been released for publication; but now, for the first time, NASA has allowed a selection of the master negatives and transparencies to be scanned electronically, rendering the sharpest images of space that we have ever seen. Michael Light has woven 129 of these stunningly clear images into a single composite voyage, a narrative of breathtaking immediacy and authenticity that begins with the launch and is followed by a walk in space, an orbit of the Moon, a lunar landing and exploration, and a return to Earth with an orbit and splashdown.      Graced by five 45-inch-wide gatefolds that display the lunar landscape, from above the surface and at eye level, in unprecedented detail and clarity, Full Moon conveys on each page the excitement, disorientation, and awe that the astronauts themselves felt as they were shot into space and then as they explored an alien landscape and looked back at their home planet from hundreds of thousands of miles away. Published on the thirtieth anniversary of Apollo 11--the first landing on the Moon--this remarkable and mesmerizing volume is, like the voyages it commemorates and re-creates, an experience both intimate and monumental.

Although Edward Steichen exhibited some of Saul Leiter's color photographs at The Museum of Modern Art in 1953, for 40 years afterward they remained virtually unknown to the art world. Saul Leiter: Early Color provides the first opportunity to see a comprehensive presentation of images by one of photography's great originals. Leiter moved to New York in 1946 intending to be a painter, but through his friendship with the Abstract Expressionist Richard Pousette-Dart, he quickly recognized the creative potential of photography. Though he continued to paint, exhibiting alongside Philip Guston and Willem de Kooning, Leiter's camera became--like an extension of his arm and mind--an ever-present interpreter of life in the metropolis. He sought out moments of quiet humanity in the Manhattan maelstrom, forging a unique urban pastoral from the most unlikely of circumstances. The lyricism and intensity of his vision come into fullest play in his eloquent handling of color unequaled by his contemporaries. Leiter's visual language of fragmentation, ambiguity and contingency is evoked by these 100 subtle, painterly images that stretched the boundaries of photography in the second half of the twentieth century.