Please note that all blank pages in the book were chosen as part of the design by the publisher.A good street photographer must be possessed of many talents: an eye for detail, light, and composition; impeccable timing; a populist or humanitarian outlook; and a tireless ability to constantly shoot, shoot, shoot, shoot and never miss a moment. It is hard enough to find thesequalities in trained photographers with the benefit of schooling and mentors and a community of fellow artists and aficionados supporting and rewarding their efforts. It is incredibly rare to find it in someone with no formal training and no network of peers.Yet Vivian Maier is all of these things, a professional nanny, who from the 1950s until the 1990s took over 100,000 photographs worldwide—from France to New York City to Chicago and dozens of other countries—and yet showed the results to no one. The photos are amazing both for the breadth of the work and for the high quality of the humorous, moving, beautiful, and raw images of all facets of city life in America’s post-war golden age.It wasn’t until local historian John Maloof purchased a box of Maier’s negatives from a Chicago auction house and began collecting and championing her marvelous work just a few years ago that any of it saw the light of day. Presented here for the first time in print, Vivian Maier: Street Photographer collects the best of her incredible, unseen body of work.

To live in a pristine land . . . roam the wilderness . . . build a home. . . . Thousands have had such dreams, but Richard Proenneke lived them. Here is a tribute to a man who carved his masterpiece out of the beyond.

Since the wolf first snuck into the caves of our ancestors to take warmth from the fire, dogs have been man’s constant companion. Dogs, multi-award-winning photographer Tim Flach’s stunning follow-up to the critically acclaimed Equus, delves deep into the psyche of this enduring bond with Canis familiaris to present an exquisite study of “man’s best friend.”   From specimens on show at Crufts and Westminster to shelter dogs lovingly rescued by volunteers; from the grace and agility of racing greyhounds to adored domestic companions; from Afghan hounds to Hungarian komondors to Chinese crested, the images featured in Dogs promise to deliver one of the most appealing, popular, and exciting photographic tributes to dogs ever published.  Praise for Dogs:"The dogs he captures in these pages are, by turns, soulful, expressive, and winsome-- and all of themare stunning." --Entertainment Weekly "This book will appeal to all ages. I know this because it was lying around our house on Thanksgiving Day and everyone wanted a look at it -- from college-age to senior citizen. They all oohed and aahed. If you're a dog lover, or even a dog liker, it's a keeper." --The Christian Science Monitor "Featuring profiles of dozens of canines, Dogs is a divine collection of images that spotlights the endearing characteristics of different pooches, elevating them to divine status. Whether it's a troubled-looking Bloodhound or a demure Dalmatian, Flach's subjects establish a direct connection with the viewer, dog-lover or otherwise." --Flavorwire.com

Lennart Nilsson's unique photographic story -- a universal introduction to the miracle of life.In 1965 Lennart Nilsson published images from inside the human uterus, the first photographs of prenatal life. The book that was to follow, A Child is Born, stunned the world -- offering an unprecedented glimpse at the unseen world within our bodies, and our own beginnings.Using high-definition ultrasound technique, scanning electron and light microscopes, and advanced fibre optics Lennart Nilsson documents the miracle of human reproduction: the egg travelling down the fallopian tube; the sperm racing to meet it; the moment of fertilization; the very first cell division; the tiny embryo attaching to the uterine wall; the growth of eyes, ears, fingers and toes; and finally the moment of delivery itself -- providing an astonishing glimpse of the first moments of life.In this, the fully revised fifth edition, A Child is Born is redefined for a new age. With a completely new accompanying text, the images are rendered in astonishing detail utilising revolutionary new photographic technology, with the photographs themselves the dominant driving force of the narrative.

"Pilgrimage" took Annie Leibovitz to places that she could explore with no agenda. She wasn't on assignment. She chose the subjects simply because they meant something to her. The first place was Emily Dickinson's house in Amherst, Massachusetts, which Leibovitz visited with a small digital camera. A few months later, she went with her three young children to Niagara Falls. 'That's when I started making lists', she says. She added the houses of Virginia Woolf and Darwin in the English countryside and Freud's final home, in London, but most of the places on the lists were American. The work became more ambitious as Leibovitz discovered that she wanted to photograph objects as well as rooms and landscapes. She began to use more sophisticated cameras and a tripod and to travel with an assistant, but the project remained personal. Leibovitz went to Concord to photograph the site of Thoreau's cabin at Walden Pond. Once she got there, she was drawn into the wider world of the Concord writers. Ralph Waldo Emerson's home and Orchard House, where Louisa May Alcott and her family lived and worked, became subjects. The Massachusetts studio of the Beaux Arts sculptor Daniel Chester French, who made the seated statue in the Lincoln Memorial, became the touchstone for trips to Gettysburg and to the archives where the glass negatives of Lincoln's portraits have been saved. Lincoln's portraitists - principally Alexander Gardner and the photographers in Mathew Brady's studio - were also the men whose work at the Gettysburg battlefield established the foundation for war photography. At almost exactly the same time, in a remote, primitive studio on the Isle of Wight, Julia Margaret Cameron was developing her own ultimately influential style of portraiture. Leibovitz made two trips to the Isle of Wight and, in an homage to the other photographer on her list, Ansel Adams, she explored the trails above the Yosemite Valley, where Adams worked for fifty years. The final list of subjects is perhaps a bit eccentric, featuring Georgia O'Keeffe and Eleanor Roosevelt but also Elvis Presley and Annie Oakley, among others. Figurative imagery gives way to the abstractions of Old Faithful and Robert Smithson's Spiral Jetty. "Pilgrimage" was a restorative project for Leibovitz, and the arc of the narrative is her own. 'From the beginning, when I was watching my children stand mesmerised over Niagara Falls, it was an exercise in renewal', she says. 'It taught me to see again'.

Artists who arrive fully formed at a young age always dazzle, and Francesca Woodman was one of the most gifted and dazzling artist prodigies in recent history. In 1972, the 13-year-old Woodman made a black-and-white photograph of herself sitting at the far end of a sofa in her home in Boulder, Colorado. Her face is obscured by her hair, light radiates from an unseen source behind her out at the viewer through her right hand. This photograph typifies much of what would characterize Woodman's work to come: a semi-obscured female form merging with or flailing against a somewhat bare and often dilapidated interior. In an oeuvre of around 800 photographs made in just nine years, Woodman performed her own body against the textures of wallpaper, door frame, baths and couches, radically extending the Surrealist photography of Man Ray, Hans Bellmer and Claude Cahun and creating a mood and language all her own. In the 30 years since her untimely death, Woodman has gained a following among successive generations of artists and photographers, a testament to her work's undeniable immediacy and enduring appeal Amid a renewed intensification of interest in Francesca Woodman, this volume is published for a major touring exhibition of her photographs and films at the San Francisco Museum of Modern Art and the Guggenheim. Containing many previously unpublished photographs, it is the definitive Francesca Woodman monograph.Francesca Woodman (1958-1981) was born in Denver, Colorado, to the well-known artists George and Betty Woodman. In 1975 she attended the Rhode Island School of Design, and in 1979 she moved to New York, to attempt to build a career in photography. In 1981, at the age of 22, she committed suicide. (20120315)

In an unprecedented effort, sixteen of the world’s foremost photographers traveled to thirty nations around the globe to live for a week with families that were statistically average for that nation. At the end of each visit, photographer and family collaborated on a remarkable portrait of the family members outside their home, surrounded by all of their possessions—a few jars and jugs for some, an explosion of electronic gadgetry for others. Vividly portraying the look and feel of the human condition everywhere on Earth, this internationally acclaimed bestseller puts a human face on the issues of population, environment, social justice, and consumption as it illuminates the crucial question facing our species today: Can all six billion of us have all the things we want?

Herb Ritts: L.A. Style traces the life and career of the iconic photographer through a compelling selection of renowned, as well as previously unpublished, photographs and two insightful essays. Herb Ritts (1952–2002) was a Los Angeles-based photographer who established an international reputation for distinctive images of fashion models, nudes, and celebrity portraits. During the 1980s and 1990s, Ritts was sought out by leading fashion designers such as Armani, Gianfranco Ferrè, Donna Karan, Calvin Klein, Valentino, and Versace, as well as magazine editors from GQ, Interview, Rolling Stone, and Vanity Fair, among others, to lend glamour to their products and layouts. Largely self-taught, Ritts developed his own style, one that often made use of the California light and landscape and helped to separate his work from his New York-based peers. From the late 1970s until his untimely death from AIDS in 2002, Ritts’s ability to create photographs that successfully bridged the gap between art and commerce was not only a testament to the power of his imagination and technical skill, but also marked the synergistic union between art, popular culture, and business that followed in the wake of the Pop Art movement of the 1960s and 1970s.  An exhibition of the same name will be on view at the Getty Center from April 3 through August 12, 2012; at the Cincinnati Art Museum from October 6 through December 30, 2012; and at the John and Mable Ringling Museum of Art in Sarasota, Florida, from February 23 through May 19, 2013.  

This all-new collection of hundreds of full-color photographs features the work of more than 70 leading tattoo artists from around the world, including superstars such as Hannah Aitchison, Paul Booth, Chris Garver, Corey Miller. Discover images of striking, abstract “tribal” pieces, elaborate air-brushed designs, all-over “body suits,” “sleeves,” and intricate, distinctive motifs.