Thunder at Twilight is a landmark of historical vision, drawing on hitherto untapped sources to illuminate two crucial years in the life of the extraordinary city of Vienna—and in the life of the twentieth century. It was during the carnival of 1913 that a young Stalin arrived on a mission that would launch him into the upper echelon of Russian revolutionaries, and it was here that he first collided with Trotsky. It was in Vienna that the failed artist Adolf Hitler kept daubing watercolors and spouting tirades at fellow drifters in a flophouse. Here Archduke Franz Ferdinand had a troubled audience with Emperor Franz Joseph—and soon the bullet that killed the archduke would set off the Great War that would kill ten million more. With luminous prose that has twice made him a finalist for the National Book Award, Frederic Morton evokes the opulent, elegant, incomparable sunset metropolis—Vienna on the brink of cataclysm.

This title is a history of the extraordinary rise to power and eventual decline of the Habsburg Empire. This episode in history covers three centuries, and traces their area of influence to almost all the countries of Europe - Germany, Austria, Switzerland, the Czech Republic, Hungary, Spain and Italy. Because the Habsburgs dominated so many national histories, their family history is usually fragmented. This obscures the trans-national nature of the dynasty. Polyglot and adaptable - they remained identifiably Habsburg. It is essential, therefore, to approach them as an entity. The author has worked in both the Spanish and the Austrian archives.

Located at the very center of Europe, Prague has been on the frontline of international political, intellectual, religious, and cultural conflicts for more than six centuries. Invaded and occupied by the Habsburgs, the Austro-Hungarian Empire, the Nazis, and then Communist Russia, the city s identity is shaped by a long experience of foreign domination and a strong sense of martyrdom.A treasure house of Gothic, baroque, and modernist architecture, Prague is also a city of icons and symbols: statues, saints and signs reveal a turbulent history of religious and cultural conflict. As Kafka s nightmare city and home of the Good Soldier _vejk, the Czech capital also produced two of the twentieth century s emblematic writers. Richard Burton explores this metropolis of theatrical allusion, in which politics and drama have always been intertwined. His interpretation of the city s cultural past and present encompasses opera and rock music, puppetry and cinema, surrealism and socialist realism. Looking at Prague s world-famous landmarks and lesser-known sites, his reading of the city through its writing and iconography is both perceptive and challenging.* THE CITY OF ARTISTS AND WRITERS: The Castle and Kafka, Ha_ek and Kundera; music from Smetana to the Plastic People of the Universe; modernism and cubism; political theater and the playwright-president Václav Havel.* THE CITY OF TYRANNY AND RESISTANCE: Jan Hus and anti-Catholic revolt; subjugation and the rise of Czech nationalism; Germans, Czechs and Jews; "Prague Spring" 1968, Charter 77 and the "Velvet Revolution" of November 1989.* THE CITY OF MAGIC, MURDER, AND MYTH: Medieval alchemy and astrology; the myth of the Golem, the ghetto and anti-Semitism; living puppets, robots, and a tradition of defenestration.

“Reads like a novel. A fast-paced page-turner, it has everything: sex, wit, humor, and adventures. But it is an impressively researched and important story.”—David Fromkin, author of Europe’s Last SummerVienna, 1814 is an evocative and brilliantly researched account of the most audacious and extravagant peace conference in modern European history. With the feared Napoleon Bonaparte presumably defeated and exiled to the small island of Elba, heads of some 216 states gathered in Vienna to begin piecing together the ruins of his toppled empire. Major questions loomed: What would be done with France? How were the newly liberated territories to be divided? What type of restitution would be offered to families of the deceased? But this unprecedented gathering of kings, dignitaries, and diplomatic leaders unfurled a seemingly endless stream of personal vendettas, long-simmering feuds, and romantic entanglements that threatened to undermine the crucial work at hand, even as their hard-fought policy decisions shaped the destiny of Europe and led to the longest sustained peace the continent would ever see.Beyond the diplomatic wrangling, however, the Congress of Vienna served as a backdrop for the most spectacular Vanity Fair of its time. Highlighted by such celebrated figures as the elegant but incredibly vain Prince Metternich of Austria, the unflappable and devious Prince Talleyrand of France, and the volatile Tsar Alexander of Russia, as well as appearances by Ludwig van Beethoven and Emilia Bigottini, the sheer star power of the Vienna congress outshone nearly everything else in the public eye.An early incarnation of the cult of celebrity, the congress devolved into a series of debauched parties that continually delayed the progress of peace, until word arrived that Napoleon had escaped, abruptly halting the revelry and shrouding the continent in panic once again.Vienna, 1814 beautifully illuminates the intricate social and political intrigue of this history-defining congress–a glorified party that seemingly valued frivolity over substance but nonetheless managed to drastically reconfigure Europe’s balance of power and usher in the modern age.From the Hardcover edition.

Vienna and its Secessionist movement at the turn of the last century is the focus of this extraordinary social portrait told through an eminent Viennese family, headed by Hermine and Moriz Gallia, who were among the great patrons of early-twentieth-century Viennese culture at its peak. Good Living Street takes us from the Gallias’ middle-class prosperity in the provinces of central Europe to their arrival in Vienna, following the provision of Emperor Franz Joseph in 1848 that gave Jews freedom of movement and residence, legalized their religious services, opened public service and professions up to them, and allowed them to marry. The Gallias, like so many hundreds of thousands of others, came from across the Hapsburg Empire to Vienna, and for the next two decades the city that became theirs was Europe’s center of art, music, and ideas. The Gallias lived beyond the Ringstrasse in Vienna’s Fourth District on the Wohllebengasse (translation: Good Living Street), named after Vienna’s first nineteenth-century mayor. In this extraordinary book we see the amassing of the Gallias’ rarefied collections of art and design; their cosmopolitan society; we see their religious life and their efforts to circumvent the city’s rampant anti-Semitism by the family’s conversion to Catholicism along with other prominent intellectual Jews, among them Gustav Mahler. While conversion did not free Jews from anti-Semitism, it allowed them to secure positions otherwise barred to them. Two decades later, as Kristallnacht raged and Vienna burned, the Gallias were having movers pack up the contents of their extraordinary apartment designed by Josef Hoffmann. The family successfully fled to Australia, bringing with them the best private collection of art and design to escape Nazi Austria; included were paintings, furniture, three sets of silver cutlery, chandeliers, letters, diaries, books and bookcases, furs—chinchilla, sable, sealskin—and even two pianos, one upright and one Steinway. Not since the publication of Carl Schorske’s acclaimed portrait of Viennese modernism, Fin-de-Siècle Vienna, has a book so brilliantly—and completely—given us this kind of close-up look at turn-of-the-last-century Viennese culture, art, and daily life—when the Hapsburg Empire was fading and modernism and a new order were coming to the fore. Good Living Street re-creates its world, atmosphere, people, energy, and spirit, and brings it all to vivid life.

"Lukacs's book is a lyrical, sometimes dazzling, never merely nostalgic evocation of a glorious period in the city's history. . . . {His} true sympathy lies . . . not with the famous expatriates, but with the writers and intellectuals who lived and died at home: the poets Endre Ady and Mihaly Babits; the novelists Ferenc Herczeg, Sandor Hunyady, Frigyes Karinthy, Dezso Kosztolanyi, Gyula Krudy, Kalman Mikszath, and Zsigmond Moricz; the political essayist DezsoSzabo; the playwright Erno Szep; the literary historian Antal Szerb; and others. . . . {John Lukacs} sets out to explain Hungarian literature to English-speaking readers. Though I have no idea whether or not he will succeed, few interpreters of Hungarian literature have made a more touching and eloquent attempt." -- The New York Review of Books

Prague is at the core of everything both wonderful and terrible in Western history, but few people truly understand this city's unique culture. In Prague in Black and Gold, Peter Demetz strips away sentimentalities and distortions and shows how Czechs, Germans, Italians, and Jews have lived and worked together for over a thousand years. .

Spanning twenty-five years, this historic collection of writings shows Vaclav Havel's evolution from a modestly known playwright who had the courage to advise and criticize Czechoslovakia's leaders to a newly elected president whose first address to his fellow citizens begins, "I assume you did not propose me for this office so that I, too, would lie to you." Some of the pieces in Open Letters, such as "Dear Dr. Husak" and the essay "The Power of the Powerless," are by now almost legendary for their influence on a generation of Eastern European dissidents; others, such as some of Havel's prison correspondence and his private letter to Alexander Dubcek, appear in English for the first time. All of them bear the unmistakable imprint of Havel's intellectual rigor, moral conviction, and unassuming eloquence, while standing as important additions to the world's literature of conscience.

Joseph II was son, co-regent and successor of Maria Theresa as ruler of the Habsburg monarch and Holy Roman Empire in his own right from 1765. This book seeks to analyze the constraints under which Joseph II operated, his attempts to overcome them and the reasons for his failure. A constant theme is his attempt to construct a modern state and the baleful effects this misguided exercise had on the Habsburg monarchy, the Holy Roman Empire and Europe. His reign is placed in its widest international context, with special attention given to the relationship of the Habsburg monarch and the Holy Roman Empire, the impact of the French Revolution on central Europe and the general development of the European states-system in this period. The book examines full geographical, socio-economic and cultural perspectives, to provide a history of the Habsburg monarchy, as well as a study of Joseph himself, his complex personality and his ill-fated reform programme. "Profiles in Power" series are not biographies, though they contain much biographical material. They aim to be succinct and interpretive essays, analyzing the major features of the career within the context of its own time.

This long-needed text explores the other half of Europe_the new and future members of the European Union along with the problems and potential they bring to the region and to the world stage. Clear and comprehensive, it offers an authoritative and up-to-date analysis of the transformations and realities in Central and Eastern Europe, the Baltics, and Ukraine. Divided into two parts, the book presents a set of comparative country case studies as well as thematic chapters on key issues, including EU and NATO expansion, the economic transition and its social ramifications, the role of women, persistent problems of ethnicity and nationalism, and political reform. Leading scholars provide the historical context for the current situation of each country in the region. They explain how communism ended and how democratic politics has emerged or is struggling to emerge in its wake, how individual countries have transformed their economies, how their populations have been affected by rapid and wrenching change, and how foreign policy making has evolved. For students and specialists alike, this book will be an invaluable resource on the newly democratizing states of Europe.