In this vivid musical ethnography, Timothy Rice documents and interprets the history of folk music, song, and dance in Bulgaria over a seventy-year period of dramatic change. From 1920 to 1989, Bulgaria changed from a nearly medieval village society to a Stalinist planned industrial economy to a chaotic mix of capitalist and socialist markets and cultures.In the context of this history, Rice brings Bulgarian folk music to life by focusing on the biography of the Varimezov family, including the musician Kostadin and his wife Todora, a singer. Combining interviews with his own experiences of learning how to play, sing and dance Bulgarian folk music, Rice presents one of the most detailed accounts of traditional, aural learning processes in the ethnomusicological literature.Using a combination of traditionally dichotomous musicological and ethnographic approaches, Rice tells the story of how individual musicians learned their tradition, how they lived it during the pre-Communist era of family farming, how the tradition changed with industrialization brought under Communism, and finally, how it flourished and evolved in the recent, unstable political climate.This work—complete with a compact disc and numerous illustrations and musical examples—contributes not only to ethnomusicological theory and method, but also to our understanding of Slavic folklore, Eastern European anthropology, and cultural processes in Socialist states.

Richard Crampton presents a general introduction to Bulgaria at the cross-roads of Christendom and Islam. This concise history traces the country's growth from pre-history, through its days as the center of a powerful medieval empire and five centuries of Ottoman rule, to the political upheavals of the twentieth century which led to three wars. It highlights 1995 to 2004, a vital period during which Bulgaria endured financial meltdown, set itself seriously on the road to reform, elected its former King as prime minister, and finally secured membership in NATO and admission to the European Union. First Edition Hb (1997) 0-521-56183-3 First Edition Pb (1997) 0-521-56719-X

Freewheeling capitalism or collectivist communism: when it came to political-economic systems, did the twentieth century present any other choice? Does our century? In Third Ways, social historian Allan Carlson tells the story of how different thinkers from Bulgaria to Great Britain created economic systems during the twentieth century that were by intent neither capitalist nor communist. Unlike fascists, these seekers were committed to democracy and pluralism. Unlike liberal capitalists, they refused to treat human labor and relationships as commodities like any other. And unlike communists, they strongly defended private property and the dignity of persons and families. Instead, the builders of these alternative economic systems wanted to protect and renew the “natural” communities of family, village, neighborhood, and parish. They treasured rural culture and family farming and defended traditional sex roles and vital home economies. Carlson’s book takes a fresh look at distributism, the controversial economic project of Hilaire Belloc and G. K. Chesterton which focused on broad property ownership and small-scale production; recovers the forgotten thought of Alexander Chayanov, a Russian economist who put forth a theory of “the natural family economy”; discusses the remarkable “third way” policies of peasant-led governments in post–World War I Bulgaria, Poland, and Romania; recounts the dramatic and largely unknown effort by Swedish housewives to defend their homes against radical feminism; relates the iconoclastic ideas of economic historian Karl Polanyi, including his concepts of “the economy without markets” and “the great transformation”; and praises the efforts by European Christian Democrats to build a moral economy on the concept of homo religious—“religious man.”  Finally, Carlson’s work explains why these efforts—at times rich in hope and prospects—ultimately failed, often with tragic results. The tale inspires wistful regret over lost opportunities that, if seized, might have spared tens of millions of lives and forestalled or avoided the blights of fascism, Stalinism, socialism, and the advent of the servile state. And yet the book closes with hope, enunciating a set of principles that could be used today for invigorating a “family way” economy compatible with an authentic, healthy, and humane culture of enterprise.

Examined in this book in the author's continuing series are the Austro-Hungarian Empire's machinegun, medical, artillery, infantry, cavalry and communication units. Other chapters cover distinguished branches, such as k.u.k. Kriegsmarine (Navy), Seeflieger (Naval Aviation), Generalstab (General Staff) and Beamten (Civil Servants). Also covered are the Bulgarian machinegun, medical, artillery, searchlight, communication and cavalry units. Further chapters cover Bulgarian and other countries medals, orders, and decorations worn by royalty and high ranking command as well by the frontline soldier.

Lost in Transition tells of ordinary lives upended by the collapse of communism. Through ethnographic essays and short stories based on her experiences with Eastern Europe between 1989 and 2009, Kristen Ghodsee explains why it is that so many Eastern Europeans are nostalgic for the communist past. Ghodsee uses Bulgaria, the Eastern European nation where she has spent the most time, as a lens for exploring the broader transition from communism to democracy. She locates the growing nostalgia for the communist era in the disastrous, disorienting way that the transition was handled. The privatization process was contested and chaotic. A few well-connected foreigners and a new local class of oligarchs and criminals used the uncertainty of the transition process to take formerly state-owned assets for themselves. Ordinary people inevitably felt that they had been robbed. Many people lost their jobs just as the state social-support system disappeared. Lost in Transition portrays one of the most dramatic upheavals in modern history by describing the ways that it interrupted the rhythms of everyday lives, leaving confusion, frustration, and insecurity in its wake.

As the world moved towards WWII, King Boris III of Bulgaria strove to stay neutral. But by 1939, Bulgaria was an unwitting ally of Germany forced to follow Nazi dictates, including the deportation and execution of all 50,000 of it Jewish population. Beyond Hitler's grasp is the dramatic true account of the Bulgarians conspiracy to outwit the Germans - and keep every one of Bulgaria's Jews from ever being deported. This monumental work actually reads like a thriller, involving beautiful spies, the Church, a secret mole, and a compassionate king committed to his countrymen.

Music in Bulgaria is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study. Music in Bulgaria presents a focused introduction to the rich and varied tradition of Bulgarian music. Taking readers on a tour of the country's musical landscape, it explores ways in which Bulgaria's rural traditions affect the expression and interpretation of its music and examines how Bulgaria's history has influenced its music over many decades. The book also shows how musical traditions have been preserved and have flourished despite the social changes brought about by the post-WWII era of industrialization, modernization, and urbanization. Timothy Rice demonstrates how Bulgarian music--in addition to being an art and an entertainment--is deeply embedded in the cultural, social, economic, and political life of the country. He analyzes how this music has spread to other cultures and how it has made its mark on new forms of popular music. Brief lessons on how ethnomusicologists conduct their research are also included. Written in a lively style accessible to both students and general readers, Music in Bulgaria features vivid eyewitness accounts of performances, interviews with performers, and glossaries of Bulgarian and musical terms. Incorporating numerous listening examples and other activities that help readers learn to listen, sing, and dance to Bulgarian music, this volume is packaged with a 70-minute CD containing examples of the music discussed.

Romania, Bulgaria, Hungary and Slovakia were all German allies in the Second World War, unlike the other countries of Europe which had either been forcibly occupied by the Nazis or remained neutral. SOE Missions mounted within their borders were thus doubly hazardous for they were conducted in enemy-populated territory, heavily policed by military forces and gendarmerie. Furthermore all these states had well developed and experienced security services, usually supplemented by Gestapo and Abwehr units. A further complication to the activities of SOE in these countries was that they had all been effectively conceded by Western Allies to Russia; not surprisingly therefore, operations in the Soviet 'sphere of influence' were to prove diabolically difficult.This is a story about the courage of individuals in the face of overwhelming odds. Hunger, ill-health, exhaustion, cold and treachery all combined to make life for those members of SOE who parachuted into these Fascist outposts of Fortress Europe as insufferable as it was dangerous. For weeks on end, the SOE missions moved continually at night, chased by enemy troops, betrayed by local villagers, awaiting air drops that never came and listening out for orders that were rarely specific. Thus the picture that emerges of SOE activities in these countries is one of heroic proportions, with courage, dedication and daring displayed by every mission. Although nearly all SOE personnel were either killed or captured, the impact of their clandestine operations served as a persistent irritant, continuously undermining Germany's strategic and political assumptions about the loyalty of her allies.

Like Germany, Hungary was forbidden from having an air force following the defeat of the Austro-Hungarian Empire at the end of World War 1. However, again like Germany, the new state of Hungary created an air arm in secret during the 1930s. Hungarian fighter pilots first saw action against their Slovakian neighbours in early 1939, following the annexation of Czechoslovakia by Germany. In June 1941, Hungarian armed forces joined the Germany in the invasion of Russia, and pilots from the I/I Fighter Group saw continuous action into 1942. Flying CR.42s, Re.2000s and Bf 109Es, pilots scored a modest number of kills. However, when the Bf 109G-equipped Hungarian 101 ŒPuma1 Fighter Regiment was committed to action over Kharkov in April 1943, numerous aces started to rapidly build there scores. One year later the unit returned home in order to defend Hungarian cities from American heavy bombers, and pilots such as Dezsö Szentgyörgyi and György Debrödy scored the bulk of their kills in desperate battles against American fighters and bombers. Unlike most of Germany1s Eastern European allies, Hungary did not capitulate during the Russian advances of 1944, and its fighter pilots fought on until May 1945.