No one intended to leave Martha alone that afternoon, but it happened that everyone was called away, for one reason or another. Mrs. McFarland was attending the weekly card party held by the Women's Anti-Gambling League. Sister Nell's young man had called quite unexpectedly to take her for a long drive. Papa was at the office, as usual. It was Mary Ann's day out. As for Emeline, she certainly should have stayed in the house and looked after the little girl; but Emeline had a restless nature. "Would you mind, miss, if I just crossed the alley to speak a word to Mrs. Carleton's girl?" she asked Martha. "'Course not," replied the child. "You'd better lock the back door, though, and take the key, for I shall be upstairs."

The intense interest aroused in the public by what was known at the time as "The Styles Case" has now somewhat subsided. Nevertheless, in view of the world-wide notoriety which attended it, I have been asked, both by my friend Poirot and the family themselves, to write an account of the whole story. This, we trust, will effectually silence the sensational rumours which still persist. I will therefore briefly set down the circumstances which led to my being connected with the affair. I had been invalided home from the Front; and, after spending some months in a rather depressing Convale-scent Home, was given a month's sick leave. Having no near relations or friends, I was trying to make up my mind what to do, when I ran across John Cavendish. I had seen very little of him for some years. Indeed, I had never known him particularly well. He was a good fifteen years my senior, for one thing, though he hardly looked his forty-five years. As a boy, though, I had often stayed at Styles, his mother's place in Essex.

The text of Wharton’s richly allusive Pulitzer Prize–winning 1921 novel of desire and its implications in Old New York has been rigorously annotated by a prominent Wharton scholar."Contexts" constructs the historical foundation for this very historical novel. Many documents are included on the "New York Four Hundred," elite social gatherings, archery (the sport for upper-crust daughters), as well as Wharton’s manuscript outlines, letters, and related writings. "Criticism" collects eleven American and British contemporary reviews and nine major essays on The Age of Innocence, including a groundbreaking piece on the two film adaptations of the novel. “A Chronology and Selected Bibliography” are also included.

Tea began as a medicine and grew into a beverage. In China, in the eighth century, it entered the realm of poetry as one of the polite amusements. The fifteenth century saw Japan ennoble it into a religion of aestheticism - Teaism. Teaism is a cult founded on the adoration of the beautiful among the sordid facts of everyday existence. It inculcates purity and harmony, the mystery of mutual charity, the romanticism of the social order. It is essentially a worship of the Imperfect, as it is a tender attempt to accomplish something possible in this impossible thing we know as life. The Philosophy of Tea is not mere aestheticism in the ordinary acceptance of the term, for it expresses conjointly with ethics and religion our whole point of view about man and nature. It is hygiene, for it enforces cleanliness; it is economics, for it shows comfort in simplicity rather than in the complex and costly; it is moral geometry, inasmuch as it defines our sense of proportion to the universe. It represents the true spirit of Eastern democracy by making all its votaries aristocrats in taste.

What does it mean when a fictional hero takes a journey?. Shares a meal? Gets drenched in a sudden rain shower? Often, there is much more going on in a novel or poem than is readily visible on the surface—a symbol, maybe, that remains elusive, or an unexpected twist on a character—and there's that sneaking suspicion that the deeper meaning of a literary text keeps escaping you. In this practical and amusing guide to literature, Thomas C. Foster shows how easy and gratifying it is to unlock those hidden truths, and to discover a world where a road leads to a quest; a shared meal may signify a communion; and rain, whether cleansing or destructive, is never just rain. Ranging from major themes to literary models, narrative devices, and form, How to Read Literature Like a Professor is the perfect companion for making your reading experience more enriching, satisfying, and fun.

Find out what books and films influenced the young writer, his first idea for a story and the true life tale that inspired Carrie. For the first time, here's an intimate autobiographical portrait of his home life, his family and his traumatic recent accident. Citing examples of his work and those of his contemporaries, King gives an excellent masterclass on writing - how to use the tools of the trade from building characters to pace and plotting as well as practical advice on presentation. And King tells readers how he got to be a No. 1 bestseller for a quarter of a century with fascinating descriptions of his own process, the origins and development of, e.g. Carrie and Misery.

The House of Mirth, by Edith Wharton, is part of the Barnes&Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes&Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices&Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes&Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Edith Wharton’s dark view of society, the somber economics of marriage, and the powerlessness of the unwedded woman in the 1870s emerge dramatically in the tragic novel The House of Mirth. Faced with an array of wealthy suitors, New York socialite Lily Bart falls in love with lawyer Lawrence Selden, whose lack of money spoils their chances for happiness together. Dubious business deals and accusations of liaisons with a married man diminish Lily’s social status, and as she makes one bad choice after another, she learns how venal and brutally unforgiving the upper crust of New York can be. One of America’s finest novels of manners, The House of Mirth is a beautifully written and ultimately tragic account of the human capacity for cruelty.Jeffrey Meyers, a Fellow of the Royal Society of Literature, has published forty-three books, including biographies of Ernest Hemingway, Edmund Wilson, Robert Frost, D. H. Lawrence, Joseph Conrad, and George Orwell.

I, WHO erewhile the happy Garden sung By one man's disobedience lost, now sing Recovered Paradise to all mankind, By one man's firm obedience fully tried Through all temptation, and the Tempter foiled In all his wiles, defeated and repulsed, And Eden raised in the waste Wilderness. Thou Spirit, who led'st this glorious Eremite Into the desert, his victorious field Against the spiritual foe, and brought'st him thence By proof the undoubted Son of God, inspire, As thou art wont, my prompted song, else mute, And bear through highth or depth of Nature's bounds, With prosperous wing full summed, to tell of deeds Above heroic, though in secret done, And unrecorded left through many an age: Worthy to have not remained so long unsung