In the city of the demented villains, Halloween brings out the worst of the lot. This edition collects three of Batman's Halloween adventures in which he takes on some of the most fearsome and twisted foes--The Scarecrow, The Mad Hatter, and The Penguin. Graphic novel format. Available in September.

The Dark Knight Strikes Again is Frank Miller's follow-up to his hugely successful Batman: the Dark Knight Returns, one of the few comics that is widely recognized as not only reinventing the genre but also bringing it to a wider audience.Set three years after the events of The Dark Knight Returns, The Dark Knight Strikes Again follows a similar structure: once again, Batman hauls himself out of his self-imposed retirement in order to set things right. However, where DKR was about him cleaning up his home city, Gotham, DKSA has him casting his net much wider: he's out to save the world.The thing is, most of the world doesn't realize that it needs to be saved--least of all Superman and Wonder Woman, who have become little more than superpowered enforcers of the status quo. So, the notoriously solitary Batman is forced to recruit some different superpowered allies. He also has his ever-present trusty sidekick, Robin, except that he is a she, and she is calling herself Catwoman. Together, these super-friends uncover a vast and far-reaching conspiracy that leads to the President of the United States (Lex Luthor) and beyond.The Dark Knight Strikes Again is largely an entertaining comic, but much of what made The Dark Knight Returns so good just doesn't work here. Miller's gritty, untidy artwork was perfect for DKR's grim depiction of the dark and seedy Gotham City, but it jars a bit for DKSA, which is meant to depict an ultra-glossy, futuristic technocracy. Lynn Varley's garish coloring attempts to add a slicker sheen, but the artwork is ultimately let down by that which worked so well for DKR--this time around, it just feels sloppy and rushed. The same is true of the book's denouement, which happens so quickly that it leaves the reader reeling and looking for more of an explanation. Moreover, DKSA is packed full of characters who will mean little to those unfamiliar with the DC Comics universe (e.g., the Atom, the Elongated Man, the Question).Perhaps the book's biggest failing is that where The Dark Knight Returns gave comic book fans a base from which to evangelize to theuninitiated, The Dark Knight Strikes Again is just preaching to the converted. Comic book superhero fans will find much to enjoy here, but others would be better off sticking with the original. --Robert Burrow

1998 Ignatz Award Winner, Outstanding Graphic Novel: The inspiration for the feature film and one of the most acclaimed graphic novels ever.Ghost World has become a cultural and generational touchstone, and continues to enthrall and inspire readers over a decade after its original release as a graphic novel. Originally serialized in the pages of the seminal comic book Eightball throughout the mid-1990s, this quasi-autobiographical story (the name of one of the protagonists is famously an anagram of the author's name) follows the adventures of two teenage girls, Enid and Becky, two best friends facing the prospect of growing up, and more importantly, apart. Daniel Clowes is one of the most respected cartoonists of his generation, and Ghost World is his magnum opus. Adapted into a major motion picture directed by Terry Zwigoff (director of the acclaimed documentary Crumb), which was nominated for an Academy Award for Best Adapted Screenplay. This graphic novel is a must for any self-respecting comics fan's library. Two-color comics throughout

Charles Xavier is dead - killed twenty years in the past during a freak time-travel accident - and the world that has arisen in his absence is dark and dangerous indeed. The Darwinian conqueror Apocalypse rules with an iron fist, ruthlessly enforcing his dictum that only the strong shall survive - and in Apocalypse's long shadow, hidden among a downtrodden humankind, are a group of ragtag freedom fighters led by Xavier's oldest friend, Magneto: the Amazing X-Men! When Bishop, last survivor of the true Marvel Universe, locates the X-Men and explains how the world went wrong, these embittered mutants and their tenuous allies must risk everything - and undertake a dangerous and multi-pronged quest - to put things right! The comics event of 1995 is collected in one deluxe oversized hardcover! Collecting UNCANNY X-MEN (1963) #320-321, X-MEN (1991) #40-41, CABLE (1993) #20, X-MEN ALPHA, AMAZING X-MEN #1-4, ASTONISHING X-MEN (1995) #1-4, FACTOR X #1-4, GAMBIT&THE X-TERNALS #1-4, GENERATION NEXT #1-4, WEAPON X (1995) #1-4, X-CALIBRE #1-4, X-MAN #1-4, X-MEN OMEGA, AGE OF APOCALYPSE: THE CHOSEN and X-MEN ASHCAN #2.

In Chapter Three, the narrative draws to its cataclysmic close in London 2008. The magical child whose ominous coming has been foretold for the past hundred years has now been born and has grown up to claim his dreadful heritage. His promised aeon of unending terror can commence, the world can now be ended starting with North London, and there is no League, extraordinary or otherwise, that now stands in his way. The bitter, intractable war of attrition in Q'umar crawls bloodily to its fifth year, away in Kashmir a Sikh terrorist with a now-nuclear-armed submarine wages a holy war against Islam that might push the whole world into atomic holocaust, and in a London mental institution there's a patient who insists that she has all the answers.

Nominated for three 2010 Will Eisner Comic Industry Awards: From Creation to the death of Joseph, here are all 50 chapters of the Book of Genesis, revealingly illustrated as never before.Envisioning the first book of the bible like no one before him, R. Crumb, the legendary illustrator, reveals here the story of Genesis in a profoundly honest and deeply moving way. Originally thinking that we would do a take off of Adam and Eve, Crumb became so fascinated by the Bible’s language, “a text so great and so strange that it lends itself readily to graphic depictions,” that he decided instead to do a literal interpretation using the text word for word in a version primarily assembled from the translations of Robert Alter and the King James bible. Now, readers of every persuasion—Crumb fans, comic book lovers, and believers—can gain astonishing new insights from these harrowing, tragic, and even juicy stories. Crumb’s Book of Genesis reintroduces us to the bountiful tree lined garden of Adam and Eve, the massive ark of Noah with beasts of every kind, the cities of Sodom and Gomorrah destroyed by brimstone and fire that rained from the heavens, and the Egypt of the Pharaoh, where Joseph’s embalmed body is carried in a coffin, in a scene as elegiac as any in Genesis. Using clues from the text and peeling away the theological and scholarly interpretation that have often obscured the Bible’s most dramatic stories, Crumb fleshes out a parade of Biblical originals: from the serpent in Eden, the humanoid reptile appearing like an alien out of a science fiction movie, to Jacob, a “kind’ve depressed guy who doesn’t strike you as physically courageous,” and his bother, Esau, “a rough and kick ass guy,” to Abraham’s wife Sarah, more fetching than most woman at 90, to God himself, “a standard Charlton Heston-like figure with long white hair and a flowing beard.” As Crumb writes in his introduction, “the stories of these people, the Hebrews, were something more than just stories. They were the foundation, the source, in writing of religious and political power, handed down by God himself.” Crumb’s Book of Genesis, the culmination of 5 years of painstaking work, is a tapestry of masterly detail and storytelling which celebrates the astonishing diversity of the one of our greatest artistic geniuses. Nominated for three 2010 Will Eisner Comic Industry Awards: Best Adaptation from Another Work, Best Graphic Album, Best Writer/Artist.

The story of an adventure in time and space that spans all of creation. A building, constructed across an invisible chasm of space-time, fated to witness the very end of the world, is waiting with open doors for anyone who dares to enter it.

It's the return of the best-selling comic book series, inspired by Stephen King's epic The Dark Tower! Gunslinger Roland Deschain has seen the death of his lover Susan Delgado. And the Big Coffin Hunters who burned her at the stake are now in pursuit of Roland and his ka-tet Cuthbert and Alain. The friends are forced to flee into the desert with the deadly posse in hot pursuit... .and Roland is in a coma! Don't miss the next chapter in the saga of the Gunslinger whose quest for the Dark Tower will shake the foundation of reality itself! Collects Dark Tower: The Long Road Home #1-5.

One of the most important and critically acclaimed Batman adventures ever -- written by Frank Miller (BATMAN: THE DARK KNIGHT RETURNS) with art by David Mazzuchelli (Daredevil) -- returns as a deluxe hardcover.A young Bruce Wayne has spent his adolescence and early adulthood, traveling the world so he could hone his body and mind into the perfect fighting and investigative machine. But now as he returns to Gotham City, he must find a way to focus his passion and bring justice to his city. Retracing Batman's first attempts to fight injustice as a costumed vigilante, we watch as he chooses a guise of a giant bat, creates an early bond with a young Lieutenant James Gordon, inadvertently plays a role in the birth of Catwoman, and helps to bring down a corrupt political system that infests Gotham.This collection includes new introductions by Miller and Mazzucchelli, loads of reproductions of original pencils, promotional art, unseen Mazzucchelli Batman art, Richmond Lewis's color samples, script pages and other surprises. This will be the musthave hardcover of the season!