Pilot and photographer Alex MacLean has flown his plane over large areas of the United States, documenting the landscape from beautiful agricultural patterns to geometric city grids. In his new book, he directs his lens at the rooftops of New York City, showing the great complexity and life of the roofs of New York's buildings. Depicting not only the city's famous water towers, but pools, tennis courts, gardens, sunbathers, art, and restaurants up in the air, MacLean's powerful images give readers a glimpse of a part of the city that usually remains hidden. His photographs leave little doubt about New York City's "green" potential and the belief that improved outdoor spaces above lead to more livable cities below. Maps and captions help the reader to easily locate the photographs, and an essay by Robert Campbell puts MacLean's work into context. Whether you are new to the city native born, this fascinating look at hidden New York will be a revelation.

The vivid history of the capital of love and photography A city built on two millennia of history, Paris is entering the third century of its love story with photography. It was on the banks of the Seine that Niepce and Daguerre officially gave birth to this new art that has flourished ever since, developing a distinctive language and becoming a vital tool of knowledge. Paris, Portrait of a City leads us through what Goethe described as “universal city where every step upon a bridge or a square recalls a great past, where a fragment of history is unrolled at the corner of every street.” This history is recounted in photographs, all the way from Daguerre’s incunabula to the most recent images. In fact, Paris can claim to be the only city in the world whose archives house an almost complete record of over a century and a half of transformations. This huge panorama of nearly 600 pages and as many photographs makes Paris, Portrait of a City unique. This book brings together the past and the present, the monumental and the everyday, objects and people. Thanks to images captured by the most illustrious photographers – Daguerre, Marville, Atget, Lartigue, Brassaï, Kertész, Ronis, Doisneau, Cartier-Bresson and many more – but also by many unknown amateurs, these pages show the essential workings of a human drama acted out on the stage of history. These visions attempt to bottle just a little of that “Parisian air”, something of that particular poetry given out by the stones and inhabitants of a constantly changing city that has inspired untold numbers of writers and artists over the ages. Presenting an exciting patchwork of images from past and present, Paris, Portrait of a City is a huge and unique photographic study that, in a way, is the true family album of all Parisians. It is to them, and to all lovers of this capital city, that this vibrant, loving and tender testimony is dedicated.

This book presents the epic story of New York in photographs, photo-portraits, maps, and aerial views—nearly 600 pages of emotional, atmospheric images, from the mid-19th century to the present day. Supplementing this treasure trove of images are hundreds of quotations and references from relevant books, movies, shows and songs. The city's fluctuating fortunes are all represented, from the wild nights of the Jazz Age and the hedonistic disco era, to the grim days of the Depression and the devastation of 9/11 and its aftermath, as its broken-hearted but unbowed citizens picked up the pieces.  Chapter One (1850-1913) focuses on New York's dramatic emergence as America's greatest metropolis. Chapter Two (1914-1945) traces the boom of the 1920s, the Great Depression, and the construction of the city's most famous landmarks: the Empire State Building, Chrysler Building and Rockefeller Center. Chapter Three (1946-1965) sees New York become the world's first truly international city, with the construction of the U.N. headquarters. In Chapter Four, the Big Apple loses its shine (1966-1987) during a period of economic decline, social protest and mean streets. Chapter Five (1988-2009) sees New York rise again from the lean times of the 1970s and early 80s, only to be devastated by the 9/11 terrorist attacks, which forever alter the city's landscape—and its sense of self. More than just a remarkable tribute to the metropolis and its civic, social, and photographic heritage, New York: Portrait of a City pays homage to the indomnitable spirit of those who call themselves New Yorkers: full of hope and strength, resolute in their determination to succeed among its glass and granite towers. Features hundreds of iconic images, sourced from dozens of archives and private collections—many never before published—and the work of over 150 celebrated photographers, including: Victor Prevost, Jacob Riis, Lewis Hine, Alfred Stieglitz, Paul Strand, Berenice Abbott, Walker Evans, Weegee, Margaret Bourke-White, Saul Leiter, Esther Bubley, Arnold Newman, William Claxton, Ralph Gibson, Ryan McGinley, Mitch Epstein, Steve Schapiro, Mary Ellen Mark, Marvin Newman, Allen Ginsberg, Joel Meyerowitz, Andreas Feininger, Neil Leifer, Charles Cushman, Joseph Rodriguez, Garry Winogrand, Larry Fink, Jamal Shabazz, Allan Tannenbaum, Bruce Davidson, Helen Levitt, Eugene de Salignac, James Nachtwey, Ruth Orkin, Joel Sternfeld, Bruce Davidson, Keizo Kitajima, and many many more.

The fourth age of Soviet architecture In this volume photographer Frédéric Chaubin reveals 90 buildings sited in fourteen former Soviet Republics which express what could be considered as the fourth age of Soviet architecture. They reveal an unexpected rebirth of imagination, an unknown burgeoning that took place from 1970 until 1990. Contrary to the twenties and thirties, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Their diversity announces the end of Soviet Union. Taking advantage of the collapsing monolithic structure, the holes of the widening net, architects revisited all the chronological periods and styles, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba sanatorium), others expressed their imagination in an expressionist way (Tbilisi wedding palace). A summer camp, inspired by sketches of a prototype lunar base, lays claim to its suprematist influence (Promethee). Then comes the speaking architecture widespread in the last years of the USSR: a crematorium adorned with concrete flames (Kiev crematorium), a technological institute with a flying saucer crashed on the roof (Kiev institute), a political center watching you like a Big Brother (Kaliningrad House of Soviet). This puzzle of styles testifies to all the ideological dreams of the period, from the obsession with the cosmos to the rebirth of privacy and it also outlines the geography of the USSR, showing how local influences made their exotic twists before bringing the country to its end.

John Pawson's career as an architect and designer spans a variety of sizes and programs: from bowls to bridges, and monasteries to Calvin Klein stores. In addition to his acclaimed design work, he is the author of Phaidon's successful Minimum, a book that paired images and captions to illustrate the notion of simplicity in a beautiful and inspirational manner. Visual Inventory presents some of the images from Pawson's personal collection of over 200,000 digital snapshots. The book opens with an essay explaining the importance of photography as a tool for Pawson's work, and the images are set one per page with illuminating captions. Covering a huge range of subjects, the photographs form a remarkle body of reference material. Some of the images illustrate a particular idea out form, material or space; others reflect the author's interest in returning repeatedly to certain subjects, capturing the changes brought by different weather, light conditions, seasons and patterns of use. Each image has been chosen for the book because it is useful, offering a lesson in visual thinking. None of the photographs in the book have been cropped or altered; it is the selection, arrangement and captioning of the images that make this book unique, valule and attractive to any architect, designer, artist or student who wants to see the world around them with a stronger eye.

For more than half the nation's history, vast mental hospitals were a prominent feature of the American landscape. From the mid-nineteenth century to the early twentieth, over 250 institutions for the insane were built throughout the United States; by 1948, they housed more than a half million patients. The blueprint for these hospitals was set by Pennsylvania hospital superintendant Thomas Story Kirkbride: a central administration building flanked symmetrically by pavilions and surrounded by lavish grounds with pastoral vistas. Kirkbride and others believed that well-designed buildings and grounds, a peaceful environment, a regimen of fresh air, and places for work, exercise, and cultural activities would heal mental illness. But in the second half of the twentieth century, after the introduction of psychotropic drugs and policy shifts toward community-based care, patient populations declined dramatically, leaving many of these beautiful, massive buildings--and the patients who lived in them--neglected and abandoned. Architect and photographer Christopher Payne spent six years documenting the decay of state mental hospitals like these, visiting seventy institutions in thirty states. Through his lens we see splendid, palatial exteriors (some designed by such prominent architects as H. H. Richardson and Samuel Sloan) and crumbling interiors--chairs stacked against walls with peeling paint in a grand hallway; brightly colored toothbrushes still hanging on a rack; stacks of suitcases, never packed for the trip home. Accompanying Payne's striking and powerful photographs is an essay by Oliver Sacks (who described his own experience working at a state mental hospital in his book Awakenings). Sacks pays tribute to Payne's photographs and to the lives once lived in these places, "where one could be both mad and safe."

This is a visual tour so saturated with realism you can smell the knishes neatly displayed in the window of the Yonah Schimmel Knish Bakery, a visual tour comprised of hundreds of images of unique 19th and 20th century retail graphics and neon signs still in use and inspiring us to purchase to this very day. But for how long? Are New York City's local merchants a dying breed or an enduring group of diehards hell bent on retaining the traditions of a glorious past? According to Jim and Karla Murray the influx of big box retailers and chain stores pose a serious threat to these humble institutions, and neighborhood modernization and the anonymity it brings are replacing the unique appearance and character of what were once incredibly colourful streets. Store Front: The Disappearing Face of New York is a visual guide to New York City's timeworn storefronts, a collection of powerful images that capture the neighborhood spirit, familiarity, comfort and warmth that these shops once embodied. Almost all of these businesses are a reflection of New York's early immigrant population, a wild mix of Irish, Germans, Jews, Italians, Poles, Eastern Europeans and later Hispanics and Chinese. The variety is immense from Manhattan's Yonah Schimmel Knish Bakery and Katz's Delicatessen to the Jackson Heights Florist in Queens, Court Street Pastry in Brooklyn, D. D'Auria and Sons Pork Store in the Bronx and the De Luca General Store on Staten Island. And as the Murray's stunning, large format photographs make patently clear, the face of New York is etched in their facades.

Rise and Sprawl: How Los Angeles Came To BeA pictorial history of the world's most enigmatic cityFrom the first known photograph taken in Los Angeles to its most recent sweeping vistas, this photographic tribute to the City of Angels provides a fascinating journey through the city's cultural, political, industrial, and sociological history. It traces the city's development from the 1880s' real estate boom, through the early days of Hollywood and the urban sprawl of the late 20th century, right up to the present day. With over 500 images, L.A. is shown emerging from a desert wasteland to become a vast palm-studded urban metropolis.Events that made world news including two Olympics, Bobby Kennedy's assassination, and the Rodney King riots reveal a city of many dimensions. The entertainment capital of the world, Hollywood, and its celebrities are showcased along with many other notable residents, personalities, architects, artists, and musicians. The city's pop cultural movements, its music, surfing, health food fads, gangs, and hot rods are included, as are its notorious crimes and criminals. This book depicts Los Angeles in all its glory and grit, via hundreds of freshly discovered images including those of Julius Shulman, Garry Winogrand, William Claxton and many other superb photographers, culled from major historical archives, museums, private collectors, and universities. These are given context and resonance through essays by renowned California historian Kevin Starr and Los Angeles literature expert David Ulin.About the editor:Cultural anthropologist and graphic design historian Jim Heimann is Executive Editor for TASCHEN America, and author of numerous books on architecture, pop culture, and the history of the West Coast, Los Angeles and Hollywood. His unrivaled private collection of ephemera has featured in museum exhibitions around the world and dozens of books.

No longer the Motor City of boom-time industry, the city of Detroit has fallen into an incredible state of dilapidation since the decline of the American auto industry after the Second World War. Today, whole sections of the city resemble a war zone, its once-spectacular architectural grandeur reduced to vacant ruins. In Detroit Disassembled, photographer Andrew Moore records a territory in which the ordinary flow of time-or the forward march of the assembly line-appears to have been thrown spectacularly into reverse. For Moore, who throughout his career has been drawn to all that contradicts or seems to threaten America's postwar self-image (his previous projects include portraits of Cuba and Soviet Russia), Detroit's decline affirms the carnivorousness of our earth, as it seeps into and overruns the buildings of a city that once epitomized humankind's supposed supremacy. In Detroit Disassembled, Moore locates both dignity and tragedy in the city's decline, among postapocalyptic landscapes of windowless grand hotels, vast barren factory floors, collapsing churches, offices carpeted in velvety moss and entire blocks reclaimed by prairie grass. Beyond their jawdropping content, Moore's photographs inevitably raise the uneasy question of the long-term future of a country in which such extreme degradation can exist unchecked. (20110821)

Exquisite photography of one of France’s most significant historical landmarks. The largest château in the world still holds a thousand and one hidden secrets. While Versailles has been described in detail since the reign of Louis XIV, numerous apartments in the palace and their outbuildings are inaccessible to the public due to their fragility or state of preservation. From the most renowned rooms to the gardens, passing through the Trianon or the Queen’s hamlet, Versailles contains many extraordinary details, transformed according to the light or the shadow. Whether it’s Marie-Antoinette’s boudoir, the wings of the Queen’s theater, or even the Orangerie on a beautiful wintery day, these singular photographs reveal the many facets of Versailles and offer readers unprecedented access to this historical treasure.